Director Quotes

My guess is that if they now choose to change of director for every other film, it's just because you can't really change the formula, you can merely try to film it your way.

I'm an actor's director. I love it when talented actors can bring characters to life.

Historically the director has been the key creative element in a film and we must maintain that. We must protect that, in spite of the fact that there is new technology that's continually trying to erode that.

A film is a director's vision... there is, however, much input an actor or actress can have.

Most screenplays depend primarily on the vision of a director.

My parents said, Oh, he's going to be a director someday. I wanted to be an actor.

I like working as a director most.

The ladder of success in Hollywood is usually a press agent, actor, director, producer, leading man; and you are a star if you sleep with each of them in that order. Crude, but true.

The film director, in many instances, has to swallow somebody else's decision about the final form of something. It's so hard as to be intolerable.

My strangest auditioning experience was when I was reading for a TV show, and right when I started the audition, the casting director left the room and yelled at me from the hallway to keep reading.

The thing that separates a so-so director and a great director is a love and caring for film.

When an actor plays a scene exactly the way a director orders, it isn't acting. It's following instructions. Anyone with the physical qualifications can do that.

I was too dumb to know Opie was going to grow up to be a great Director, if so, boy, I would certainly have become his best friend.

I don't like people who use the press to advance themselves in a way that they haven't earned as an actor, performer or director.

When I auditioned for my high school band the band director was excited because my father was known to be a great musician. When he heard me, he said 'Are you sure you're Ellis's son?'

I directed before I was even in television; I directed in the theatre for seven years, so that was my trade anyway. But in the UK, I've given up any hope of being considered a director.

Some things you know about, you know what the ingredients are - maybe not all of them. But it's up to you to put in the amount. It's up to the director to nag you until you get it right.

The film is a direct mirror of the director. If your director doesn't know how to dress, there will be an aesthetic of the film that won't come through - whether it's in the costumes if he doesn't know exactly what he wants or the look of the film.

My interpretation of a strong director is someone who knows their story. That's what directors are, they're storytellers because they're directing where your focus is going to be as an audience.

I think that for the actors, the last thing that they want is a director that's not watching, a director that goes 'Okay, it sounded good to me,' and they were doing something else or preoccupied with something else because they were worried about the light changing.

I seemed to belong to three countries: I had an apartment in Paris, a house in Hollywood, and when I married British theater director Peter Hall, I moved to London.

I want to take roles that challenge me and I want to like the script and obviously feel connected with the director because the director to me is so important.

The director calmed me down and told me I was being too hard on myself. He went on to say that I wasn't quite as bad as I thought, but needed to tone things down a bit.

It's a morality film, and it poses the question "What would you do?" I took it very seriously, just as the director did in terms of atmosphere and lighting, and I was just trying to help that vision along.

I had come to the point when I realized it was unlikely that my film career was going to move beyond a certain level of role. And I was - because I had graphic instances of it - handicapped by the success of Star Trek. A director would say, 'I don't want Jean-Luc Picard in my movie' - and this was compounded by X-Men as well.

A lot of the things that we've been able to do in the last several years were Democratic ideas, including the structure for this new director of national intelligence.

If you think you don't want to play another psychopath, but the script is amazing, and the director is fantastic, and the story is incredible, then you may end up playing your third psychopath in a row.

The 'transition' involves the transfer of power from one president to another. In recent times, the incoming President has designated a Director of the Transition, a team leader, to oversee and administer the orderly transfer of power.

A director must be a policeman, a midwife, a psychoanalyst, a sycophant and a bastard.

The magic doesn't come from within the director's mind, it comes from within the hearts of the actors.