Director Quotes

Obviously in Art of Noise, I'm just part of the group, and when I do film scores, it's always in collaboration with the director and other people involved.

When you are doing stand-up comedy, you are the writer, producer, director, sometimes bouncer.

On every movie I've done as a director, I look at the producers and having done it, I don't envy them, at all.

It's not like every director in every movie is seeking me out by any means, there are a lot of things I'm not suited for, a lot of things I'm not interested in, and a lot of things that directors wouldn't be interested in me for.

Oh, well, in Los Angeles everybody is an actor, or a producer, or a writer, or a director, or an agent, or... So everybody understands the hours.

I'm not a betting woman, but I have $50 on Secretariat with an old director friend of mine.

My husband's a director, so he understands what I do.

I don't have any particular excitement about working with any specific director or actor at this point.

I don't want to be a director. I want to direct. There's a difference.

I'm a performer, comedian, entertainer, writer and director.

I don't watch the movies I make, so I haven't seen 'Footloose' since it came out. You see this young, hungry actor, it's pretty fun. I was the only one they screen tested. It was an attempt by the director and producer to talk the head of the studio into hiring me because they didn't want me.

Part of the advantage, and part of the result of trying to be a producer and director, are the practical things, you find. It's so advantageous to go to a place that you already have a feel for, a literal and spiritual familiarity.

The best thing about switching from being an actor to being a director is that you don't have to shave or hold your stomach in anymore.

I've done my coaching badges, I've got my Pro Licence, but I enjoy what I'm doing now. I'm also the elite performance director of the Welsh FA. The main thing for me was always Liverpool Football Club and my country, Wales - and I'm lucky enough to still be involved with both of them.

I wanted to be a director and producer and writer, but in the early '40's the union wouldn't let you get through the gates. You couldn't get on a crew, or even learn to direct.

How can you have a director that doesn't go to work with the crew every day and talk to them?

I think that you can't make a movie without a script. But you also can't make movies without actors. You also can't make movies without technicians. And there has to be just one person in charge of everybody, and to me that one person is the director.

I know the pressures of being the daughter of a great actress. But it's inspiring. You learn so much that other people don't get to learn until later on. My father being a director, I learnt a real work ethic.

You pick projects for the part, the director, and the script. I just want to do different, interesting stuff.

If you're a movie actor, you're on your own - you cannot control the stage. The director controls it.

Clint Eastwood. Here's a guy who's been involved in so many movies, lots of them masterpieces, and now he's a director. I just like everything I know about him. He's very decisive, he makes up his mind real quick.

I spent all my time on my movies worried that people were eating and that the schedule was being kept, so to have experts in those areas giving me the brain space as a writer and director is huge.

I'm supposed to be the director of a television company, but I've only ever seen that company as a vehicle for making the kind of programmes we wanted to make, getting our ideas on the screen.

And also, Sergio Leone was considered in Italy a director of category B, not a big director.

One guy records the voices, another guy times the storyboard, another guy times the sheets, one guy is the story editor. All these jobs should be covered by the director.

I had to go and sing with the musical director of the film, Simon Lee, who is just incredible, and it went great. I sang with him about five things, things we'd worked on. And then I went to sing for Andrew Lloyd Weber.

The movies I like to make are very rich and full of passion. Some people see me as an action director, but action is not the only thing in my movies. I always like to show human nature - something deep inside the heart.

I was taken to one place by a director, and he bought me a lap dance.

The first assistant director is just so important that the choice of that person is critical to the movie.

In a movie, you're raw material, just a hue of some color and the director makes the painting.