Bob Quotes

Bob Altman had this relaxed but serious attitude. Everybody loved him. I wanted him to adopt me.

You're not there to spread any particular- if you're Bob Marley you're there to spread a message, but very few people can do that effectively without shoving opinions down someone's throat.

In a way, it's my way of dealing with, finding closure with Grateful Dead music, and giving thanks in a way to Jerry and Bob and all the guys in the band for making up this wonderful music.

The director, of course, was Bob Fosse. But again, I worked with my father to prepare for the role.

I'm a catalogue artist: I compete with Bob Dylan.

In my time, we served with noble and ethical leaders: Gerry Ford, Bob Michael, John Rhodes, men of impeccable honesty. We didn't have anybody locked up for a violation of ethics.

In other words, I'd say the whole story of Bob Dylan is one man's search for God. The turns and the steps he takes to find God are his business. I think he went to a study group at the Vineyard, and it created a lot of excitement.

I loved working with Bob Dylan.

In 2008, Barack Obama did get Democrats hyperventilating, whipped up to a creamy froth, while John McCain creaked ahead like a cranky granddad whom Republicans let move to the front of the buffet line, deferring to seniority, as they had in 1996, when Bob Dole turtled to the top of the ticket.

I was buying Bob Dylan mainly, everything I could get hold of by him.

Bob Dylan is the Jew of all time.

My sense is that, when you look at what people such as former Post reporters Bob Woodward and Carl Bernstein have said over the years, you don't go with a story unless you have two independent sources to confirm it.

What I'm doing is basically the same as Bob Dylan did with folk songs and Woody Guthrie songs, the same as folk music's always done. I'm not going to sing about ploughing, but I'll write a song that sounds like it should be about ploughing.

I had the only beard in the Western Hemisphere that made Bob Dylan's look good.

Bob Dylan impresses me about as much as... well, I was gonna say a slug but I like slugs.

Townes van Zandt is the best songwriter in the whole world and I'll stand on Bob Dylan's coffee table in my cowboy boots and say that.

You know how I came up with the name 'Road to the Super Bowl?' It's an homage to the old Bob Hope - Bing Crosby buddy movies - you know, like 'Road to Zanzibar' or 'Road to Morocco.' Can you tell? All I've done my whole life is go to movies.

I listen to Radio 4 and put the iPod on shuffle. I like the randomness of, say, the Stones, then something from Nina Simone, Nick Drake or Bob Dylan.

Not too many people are - were as good as Bob Hope. George Burns was great at thinking, you know, on the spot. Steve Allen was marvelous, and so was George Burns. But Bob may be the king of them all, you know.

Then about 12 years ago it dawned on me that folk music - the music of Woody Guthrie and Phil Ochs, early Bob Dylan, Johnny Cash, Pete Seeger - could be as heavy as anything that comes through a Marshall stack. The combination of three chords and the right lyrical couplet can be as heavy as anything in the Metallica catalogue.

Bob Dylan is out of the mentorship of Allen Ginsberg.

I used to go to the Cleveland Comedy Club all the time. If there was a comic I liked, I'd go see him two or three times that week. Bob Saget was one of those guys.

But you have to understand, my beard is so nasty. I mean, it's the only beard in the history of Western civilization that makes Bob Dylan's beard look good.

We put our life on the line to fight for them, put on a show and these guys take our money so whatever happens to Bob Arum, Don King or anyone else is fine with me.

If I wasn't Bob Dylan, I'd probably think that Bob Dylan has a lot of answers myself.

If anybody ever dares to compare Bob Dole to Clinton, then they're comparing a criminal to an honest man.

I want to see Bob Dylan do sketch comedy. I'm a huge Bob Dylan fan.

I remember going to Bob Preston's dressing room because I was losing a laugh - as you do in a long run. He said, 'Give me the script. That's where you're going off the road.' That's comedy. It's never the line itself; it's in the foundation.

Early British pop was helped tremendously by the writing of Bob Dylan who had proved you could write about political and quite controversial subjects. Certainly what we did followed on from what was happening with the angry young men in the theatre.

If you going to live by a certain code - as Bob Dylan said, you gotta serve somebody.