Bass Quotes

Because Larry, by then, was a drummer, who would sort of get bored and tired, and rather stand up and blow kisses to people. So we needed the bass to sort of drive along.

Black Sabbath was written on bass: I just walked into the studio and went, bah, bah, bah, and everybody joined in and we just did it.

I even played bass for a while. Besides playing electric guitar, I'd also get asked to play some acoustic stuff. But, since I didn't have an acoustic guitar at the time, I used to borrow one from a friend so I could play folk joints.

I realized pretty soon that I have to do more than just play bass in the background way. So, I developed a kind of playing which only a handful of musicians accepted.

It will be the first time I've played live with a double bass.

I don't really have a favorite bass player. I listen to a lot of bluegrass. But then again, I'm not a typical bluegrass bass player. I was really into the Grateful Dead, and I still am - I don't listen to them too much, but for me they are a big influence.

Now they have banging guitar and no bass and call it rock, but that's not what I call rock.

I've never been able to sit round on my own and play drums, practice in the back room, never been able to. I've always played with other musicians. It's how I play, there's no joy for me in playing on my own, bashing away. I need a bass, a piano, guitar, whatever, and then I can play.

I picked up 'The Hunger Games' thinking it was written at my regressed reading level. I've spent hours reading it, and I'm not even halfway through. Our bass player, whose name is also Nate, ended up reading all three novels and loved them.

But people are now realising why I was playing bass with Hendrix.

I feel safe and comfortable to do that once I know that the song structure around the bass part is very interesting and it satisfies me in a compositional sense.

I'm a bass player from way back and Paul is a guitar player and we've been in many bands.

Actually freestyle really comes from 'Planet Rock'. If you listen to all the freestyle records you'll hear that they are based on 'Planet Rock'. All the Miami Bass records are based upon Planet Rock.

No, but a cello is the perfect string bass for an accordion. Works with it beautifully.

Unless you're singing something that's kind of in rhythm with the bass, the melodies, it's just difficult.

I grew up around salsa, merengue, bachata, bass music, freestyle, hip-hop, techno, house, rave.

I actually met Chick Corea in New York, where I was staying with a bass player friend.

There are a lot of people who can do it on the guitar and sing at the same time, but I think what is harder is bass players that can play the bass and sing.

In jazz, you listen to what the bass player is doing and what the drummer is doing, what the pianist and the guitarist is doing, and then you play something that compliments that, so you are thinking simultaneously and thinking ahead.

I've got a Fender Concert amp from the '60s, the one Joe Osborn used. He played his bass through it.

I could tell it was a popular move as a writer to walk down the bass lines while you were writing a song.

Sometimes one of us will have a riff or a bass line from home but it really gels when we come together. We really have a strong special chemistry that we take advantage of when we get together.

This is my second bass that Paul built me. There were some changes that were made. Sometimes I think of changes that could be made having to do with both the sound and the feel. It's definitely a beautiful instrument.

That first bass I had was an Eko, a very old thing with a thin neck, I had that for quite a while.

I ended up gettin' a little Gibson amp and a bass, because of Gene Simmons of Kiss. Myself and three other kids would pretend to be Kiss - I liked Gene the best.

I never picked a bass up before Sabbath started.

I actually think that bass is probably the instrument that has evolved in a quantum leap compared to other instruments. It's the instrument that's evolved the most, especially with how it's perceived. And even how it's played, and how it's viewed from a point of view of commerce, like with the music industry.

So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.

I recruited my dad to be my bass player and fired him on several occasions. He stayed on as a bus driver.

With bass, especially bottom end, the vibration has to happen on stage otherwise the feel is wrong. This is why you can't scale the equipment down too far.