Bands Quotes

There were a lot of times where there was a great deal of fodder recorded and played, because there was a market for it - just as there is today. And there were more bad bands than there were good bands - I think that should always be remembered.

I've played in pipe bands in Scotland, and I've always played guitars and drums and stuff.

A lot of big labels will just sign bands like a write off.

This is a very screwed-up business. Record labels don't sign a lot of bands these days. We just want to find a home and stay there and make records and do our thing and not have to look over our shoulder.

This man is freed from servile bands, Of hope to rise, or fear to fall; Lord of himself, though not of lands, And leaving nothing, yet hath all.

I'm a bass player from way back and Paul is a guitar player and we've been in many bands.

I hope we can keep doing it this way - making music and art that are pure products of our influences while not really having to let the whole celebrity side of it get in the way. Then maybe more virtual bands will come out and do the same thing.

Other bands gave us lip service, but when it came down to it they kind of backed off. That was a little disheartening. But I respect them. That's their business.

When kids can't afford to see it anymore maybe we'll have a whole resurgence of garage bands all over America and this New Wave thing will start to mean something on a grass roots level.

For me, naming bands was the forerunner to really writing lyrics, because I work off titles.

I love Les Beaux Peeps. Everyone in that band works together really well. I used to go out to see bands a lot; now it seems there just aren't any I like.

It accumulates over the years and I've led so many bands of my own now and forced myself into new situations... You would hope that you play better and better - until you just get too feeble to do it anymore.

If the label presents them with a contract that the band don't want to sign, all the label has to do is wait. There are a hundred other bands willing to sign the exact same contract, so the label is in a position of strength.

As far as the grunge thing, there are three bands from Seattle that I would call true grunge.

The Beatles, the Small Faces and the Kinks were great bands, but that was in the '60s.

It's like they had a backlash the first 11 years. I think the reason why it always seems like there's a backlash is because when bands are unknown, they only get written about by fans.

Even Crazy Horses is a good song, by the Osmonds. I've known many bands who have covered that. It's just a great song. I bought it in a brown, paper bag because I didn't want anyone to know I had it.

I think that the old Mothers started that trend of rehearsing long hours. We went as long as the later bands did except we didn't get paid for it like they did.

Ambition is sneered at by some bands. It seems like a pretty good thing to me.

I meet many people, I talk with them, like a TV show host. I show what's going on with Greenpeace, interesing political things, I have artists, musicians and bands.

When I was in top 40 bands, I always had to learn new material and new styles.

Anyone interested in the world generally can't help being interested in young adult culture - in the music, the bands, the books, the fashions, and the way in which the young adult community develops its own language.

So I've had lots of different bands over the years who have stayed with me for certain tours.

I like to open for a band as it brings on sort of a challenge and it makes things more interesting. It reminds me of when we were just starting out because we would open for other bands in the beginning.

It's a bummer sometimes but I always believe that great bands and great music always prevail.

Bands today have to learn their craft by putting the hard work in that we did when we were young performers.

My roots and Victor's are jazz, basically, but these two young fellows that we have with us come out of rock bands. And they're tremendously exciting players.

Growing up I used to love bands like Free and ELO and the Rolling Stones. When Robert Plant got in touch it made perfect sense to me.

I think it's really cool, but Jimmy Eat World and Gin Blossoms did it better than anyone. People don't realize just how awesome the Arizona history is, especially for alternative music. Growing up, that's all I ever wanted to be was those two bands.

I idolised bands like Pearl Jam and Smashing Pumpkins, who wanted to reach as many people as they could.