Audiences Quotes

I don't blame folks for not wanting to put me in their movies or whatever. I understand if their audiences had an association with me.

I want to keep audiences off balance, so they don't know who I am or how to take me. If I duck and weave, as Frank Bruno might say, I'll have a longer shelf life.

I think writers write for their consciences, they write for their own true audiences, for their souls.

It was really strange for me when I started to play concerts in America where the audiences were all sitting down.

At this stage, what would be rewarding would be for audiences to want to watch.

I guess any movie actor can become a role model for audiences out there who enjoy him.

Audiences know exactly what's coming and they know from the beginning of the movie that everything's going to be OK and there will be high jinks that will get you from the beginning to the end, and eventually all the misunderstandings will be worked out and everyone will be in love.

The difference between critics and audiences is that one is a group of humans and one is not.

I feel like the rap metal at the end of the 1990s destroyed rock music for everybody and suddenly everybody felt like they had to apologise for being in rock bands. People suddenly felt bad about wanting to reach massive audiences and the sense of theatre, that we have in our live show, became something to avoid.

We have had to play some mighty tough audiences.

It gets harder and harder to succeed and find audiences with the 500-channel universe, the remote control, and people being so trigger happy with that remote control. It just gets harder to get a foothold.

We want to create these dramatic situations, whether they are real or not, to entertain audiences.

I've been at this for 40 years. And, as an academic, I've been content with relatively small audiences, with the thought that the audience I long for will find its way eventually to what I have written, provided that what I have written is good enough.

I had found English audiences highly satisfactory. They are the best listeners in the world. Perhaps the music-lovers of some of our larger cities equal the English, but I do not believe they can be surpassed in that respect.

The audiences are what keep me enthusiastic.

We're making a commercial Hindi film catering to all types of audiences.

I think American audiences are quite interesting in that they can handle almost any amount of violence, but the moment the violence becomes sexual violence it immediately becomes an issue.

I think audiences have hit the wall with CGI and special effects. They have seen so many over-the-top events that they can't suspend disbelief.

I also hope that with the assistance and expertise of Dome Records, that I will be able to further pierce the UK and European market. I really like playing there and I want to do more! I've found that the audiences get quite involved and really listen to what's happening.

And lot of Asian audiences and reporters don't like me to act as a bad guy. But I think I want to become an actor, I want to try different way.

I'm a big fan of being scared I like being scared. I like being involved in a film that will make audiences scared, that intrigues me.

Audiences are audiences.

I wonder if that's hurt me at the box office. Maybe audiences these days want to know exactly what to expect when they go into a movie, and my movies are hard to explain in just one way.

Suddenly, the screens were dominated by American entertainment to the extent of something like 95 percent. As a result, audiences turned away from the kinds of films that we used to make.

The white audiences thought I was white, my features being what they are, and at every performance I'd have to take off my gloves to prove I was a spade.

We blush very, very easily, and we get terrified of audiences.

But it has also enabled me to find my feet as a lecturer and a reader of my own plays to audiences who like to hear them; and that experience of immediate appreciation gives greater pleasure and more stimulus towards further activity than even the most laudatory of reviews.

Though I am still very vulnerable to audiences - and it happens all the time - where for some reason the energy doesn't connect and, since the film is very personal, obviously I am made to feel very vulnerable by that.

If you make a movie about Elizabeth I, how much of the dialogue is her real words? Audiences know when they go see a movie that it is fiction.

We're making this huge changeover from underground to more mainstream audiences. I don't know if we could ever repeat this type of feeling. We're really excited.