Audience Quotes

My audience is going to die before I do.

All these horror movies are slasher film now. I like them, they're fun, but they wink at the audience and you're really not terrified through the movie.

If you go on TV and say there's no other country in the world where you can be born poor and become rich, you get a huge megaphone. If you tell the truth, which is that most of the studies show actually the United States is worse than anybody except Britain in upward mobility, there is no audience for you.

It's the actors who are prepared to make fools of themselves who are usually the ones who come to mean something to the audience.

I hope we're all kind of influencing each other now to keep the quality up on those things. They seem to be getting better and better and better as there's not only sort of a film geek audience, there's also a general interest in the overall film consuming population.

When you're a performer, of course you want an audience, but it's very, very different from courting fame.

No matter what as an artist that's always what you want to do, you want to connect to the audience, you want to be able to send whatever message it is that you're singing about, you want to be able to convey that - and not make them feel - you want them to feel it, you want them to feel what you feel.

I think the way the audience takes the Indian film-star is a little different from the way the audience takes the Western star there. We are considered like demi-gods here, and the reason is not because we are better or good, but because there is no other mode of entertainment in India.

It appeared as if I had invited the audience into the water with me, and it conveyed the sensation that being in there was absolutely delicious.

I think there have always been funny women, from Carol Burnett to Joan Rivers. When the audience sees a woman, they innately know she's worked twice as hard to get there, she's had to prove that she can be the leader, first, and then be funny on top of it. She has to emit a confidence that she's in control.

I realized the only thing I owed my audience was my own judgment and my own best effort.

I have the most eclectic audience - I've got gay, I've got straight, black, white, rich, poor, young, old, in 45 countries. And they don't all come because I'm the Sinatra kid, though that's a big part of it. My biggest successes have come from pop songs that I write myself.

There are a lot of things that are personally uncomfortable to show, especially me without makeup and completely bloated or crying. But I've realized that it's time for me to show my audience that you don't have to be perfect to achieve your dreams. Because nobody relates to being perfect.

I don't think we've got much of a chance to tell you the truth. But our main problem is our audience skews a little older than most shows, and I don't think our people can stay up that late. I certainly can't.

To be on 'Coast to Coast,' you have to be willing to stay awake in the middle of the night. But in return you get a great audience of millions of listeners all across the nation.

If the audience walks out of a concert thinking, What a wonderful experience, then we have done our job.

In a jazz atmosphere, the audience members were so quiet and respectful of the musicians that you felt you were almost part of a meeting at a church or a temple, where everyone was completely in tune with the sermon and what the whole event was about.

When the music is physically demanding, I want to make sure that the effort involved is put across to the audience through physical gesture.

Theatre is immediate, it's alive, you're there with the audience, it can't be done again and again and again and again, it's organic.

You try to find things that are challenging and interesting and hopefully it will be the same to the audience.

Once you get into your stride, the camera becomes like another person in the room. It's like being in a very small theatre where there is no getting away with anything because the audience is centimetres away from you.

There's nothing like spending an evening with an audience every night.

A bad guy always assumes he's going to win, whereas the good guy has to struggle with, what if I lose?, and the audience wants to struggle with him.

Pop stardom is not very compelling. I'm much more interested in a relationship between performer and audience that is of equals. I came up through folk music, and there's no pomp and circumstance to the performance. There's no, like, 'I'll be the rock star, you be the adulating fan.'

If you don't get feedback from your performers and your audience, you're going to be working in a vacuum.

And that's what the audience was feeling too, as they watched the show and as they watch it now. And overriding all of that is the way it was written. It was written honestly. There was never any manufactured laugh. There was never compromising of character.

So, through playing with Cop I realized that there is a potentially interested audience out in the world.

I just can't wait to get out there on stage. There's no anxiety at all. I love being able to take this journey with the audience, because we all have a ball with it - even if we're crying.

Very difficult to understand American audience, what they like, what they don't like. Some movie I like very much, it doesn't work. Some movie I don't like, it gets big box office. Very difficult.

I love performing on stage the most. It's getting that instant reaction from a live audience. There are no boundaries, you can take your character as far as you want to, you can be the craziest person ever.