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I guess some kids around me had to grow up quickly, had all those problems. But I wasn't one of those kids, or around those kids, not at all.

I want to be around a really long time. I want to be a thorn in the side of everything as long as possible.

They were heading out to the middle of the bay - the Gulf - that's another thing that became kind of standard practice, we didn't hurry the destroyers around the beach any more, when it got dark, we'd take 'em out thirty or forty miles out in the middle of the Tonkin Gulf.

For the third season, we do a sit around on one episode where we were in character and then we commented on one episode just being ourselves, so - not really. I was comfortable, though. I wasn't nervous.

Although computer chips now are thinner, they're more powerful, they're not as reliable. You'd harvest computer chips from the 1980s from all around the world because they're reliable.

Knowledge is generally considered a good thing; so, presumably, knowing more about how the U.S. thinks and operates around the world is also good.

Arsenic sticks around and today it's easily found after death if somebody thinks of looking for it, because the problem with arsenic, it isn't looked for in the common tests for drugs.

There's so many singers, you watch them and a lot of it is waving around. You don't get this feeling that they're really thinking about what they're saying.

I played Othello, but I didn't sit around thinking how Laurence Olivier did it when he played it. That wouldn't do me any good.

I don't sit around thinking that I'd like to have another husband; only another man would make me think that way.

But I think that the spirit of protectionism would be the grave of European cinema. You cannot protect something by building a fence around it and thinking that this will help it survive.

But I certainly know a lot of people that existed at that level and are always kind of pining for more, always thinking that the next big break, the next opportunity, the big role are just around the corner of the next audition.

When you grow up in a totally segregated society, where everybody around you believes that segregation is proper, you have a hard time. You can't believe how much it's a part of your thinking.

I didn't picture myself as a movie actress. I began to think about it around college. I remember thinking, "Well somebody has to be in them," so maybe I could do that eventually. It's all been a surprise.

Things happen to you out of luck, and if you get to stick around it's because you're talented.

I think that things happen individually first, and then collectively. It's not the other way around.

When you're the lead of a series, things happen around you, and you react to them.

Sometimes people just like being around each other, and good things come out of that.

People have a right to ask questions and dig deep when you're hurting people and things around you.

Souls are not designed to float around in thin air.

These days, there are many people around the world who listen to the songs that made me infamous and read the books that made me respectable.

Does anybody think these people were just sitting around drinking tea?

People of color have a constant frustration of not being represented, or being misrepresented, and these images go around the world.

Sometimes during a ballet I'll look around and see all these rows of intent faces, concentrating on this beautiful thing up on the stage.

I'm inspired by different cultures around the world and love to incorporate these facets into my collection.

Clubs are so lame. Nobody even dances at these clubs. They stand around and get drunk and they schmooze. There is no enjoyment factor.

Well, the odds must be against anybody being able to fly around the world in a balloon on the first attempt. All of us who are attempting to go around the world in balloons are effectively flying in experimental craft because these craft cannot be tested.

Being around people like Aretha Franklin and Gladys Knight, Dionne Warwick and Roberta Flack, all these greats, I was taught to listen and observe.

We could hang around for ten years and nobody would care enough to identify us. Therein lies the horror.

So we had psychiatrists and counselors and therapists around the set regularly, especially for those scenes in which Jason would be dealing with a patient to make sure we were doing it all appropriately.