Amp Quotes

It is hard to imagine that, having downgraded the US, S & P will not follow suit on at least one of the other members of the dwindling club of sovereign AAAs. If this were to materialise and involve a country like France, for example, it could complicate the already fragile efforts by Europe to rescue countries in its periphery.

But the idea of taking things and mixing them together is what I do in my music. I take hip-hop, R&B, pop, dance, funk and soul and mix it all together to get my own sound.

The counterculture has nothing to do with Dolce & Gabbana having a 'Hippy Summer' or something. Street kids, and kids who want to live in any sort of counter-cultural experience other than what's being presented by the mainstream media or political climate, or 'normal' cultural climate, are never going to look like that.

AT&T will not block access to the public Internet or degrade service, period.

I love Dolce & Gabbana. I love Versace. I love the crazy, more eccentric stuff.

I went to my friend's house one day, and he had an electric guitar he had just bought with a tiny little amp. I turned the volume up to 10 and I hit one chord, and I said, I'm in love.

The songwriting of Hall & Oates is deceptively complex. There are a number of key changes that pass you by as you're listening to the song because they're so seamless and clever.

These awful middle-class queens - which is what the gay movement has become - are so tiresome. It's all Abercrombie & Fitch and strollers.

Rock & roll is not obscure, it's really easy to understand. So is my painting.

Rock & roll is not about what you play, it's about how you play it.

I remember one of the first gigs I played with that amp was at a local church. They wanted someone to fill in with the guitar and my friend say, 'Ah, he can play.' And so I dragged the amplifier down and started playing and everybody started yelling 'turn it down!'

I ended up gettin' a little Gibson amp and a bass, because of Gene Simmons of Kiss. Myself and three other kids would pretend to be Kiss - I liked Gene the best.

Innovation has nothing to do with how many R amp&; D dollars you have. When Apple came up with the Mac, IBM was spending at least 100 times more on R & D. It's not about money. It's about the people you have, how you're led, and how much you get it.

For 20 years, Simon & Schuster asked me, 'Why don't you write your autobiography?'

Working with Jim Carrey is an absolute gas. I have never laughed so hard for so long. Had he been on-board for the sequel of Dumb & Dumber, I would've jumped on, with no hesitation.

I'd like to say I'm R&B's savior. Whether that's the truth or not, I'm definitely going out there with my mic and my shield to declare, 'I am here to save R&B.' I will have the people saying, 'Sir, there is a man at the musical gates saying he is here to save R&B.'

I love the sounds of Latin jazz, R&B, hip-hop, alternative, all that stuff. I'm a radio kid.

I don't want my president to be a TV star. You don't have to be on television every minute of every day - you're the president, not a rerun of 'Law & Order'. TV stars are too worried bout being popular and too concerned about being renewed.

It's funny, though, because when I first started going to races after we met, I was extremely nervous. It's like being backstage and hoping you don't trip over something or break an amp or accidentally speak into a live microphone, so I was really hesitant.

This merger is a logical next step that creates substantial value for customers and stockholders of both AT&T and BellSouth. It will benefit customers through new services and expanded service capabilities.

Dozens of America's wealthiest taxpayers - including hedge fund legend Michael Steinhardt, super trial lawyer Guy Saperstein, and Ben Cohen of Ben & Jerry's fame - have appealed to President Obama not to renew the Bush tax cuts for anyone earning more than $1 million a year.

I don't like the trappings of stardom. I wear the shoes and the Dolce & Gabbana, because I'm told to. But I'm not trapped by it.

I've got a Fender Concert amp from the '60s, the one Joe Osborn used. He played his bass through it.