Album Quotes

When I finish an album and I find myself listening to it in the car, because it makes me feel a certain way, that's the time to try to let other people know about it.

Recording an album and doing it live are like two different animals. There are some people that are great singers live, horrible in the studio.

This is an album of songs that I've always loved, tunes that I heard. For the first time in 53 years of recording, I really had control over an entire album, start to finish.

I've been through a lot, both personally and professionally, and the album that I started to record two and a half years ago is a different album from the one that exists today. I even changed the album title. First it was 'All I Want is Everything,' and now it's 'Jumping Trains.'

Record sales don't really mean anything. For us, the pressure is imagining some 15-year-old kid in Cincinnati who buys our album and doesn't feel like he wasted his pocket money.

Last I checked, the album was #82 out of the top 200 on the Billboard charts thanks to you all. I pray that keeps moving up and with your help it will.

So we are not doing the traditional album, tour, album, tour, album, tour anymore. We're going to tour when we want to, regardless of whether we've got a record out.

I wanted to make an album that melodically people can connect to; something that reflects our times and the kinds of difficulties we face.

I have been fortunate enough to record several singles and a whole album with Chet Atkins.

I had sat in one day in Central Park with Bonnie and Delaney, and Duane was playing with them, so I asked if he wanted to work on an album. You never had to say to him how to play the guitar.

I titled the album Reflections because I am reflecting on my music career.

No one can make the album they made 10 years ago with a straight face. There are two reasons: one is you change as a person. To be a true artist, I have to be true to who I am now and write that way. And the second thing is these are different times.

What started it all was the Kanye album, 'My Beautiful Dark Twisted Fantasy.' We started listening to that and just fell in love with it, fell in love with his production style.

You can't get the visual thing on the record as much as you'd like to. We produced this album, and we'd never done that before, except when we produced singles for ourselves.

I have grown up but that should be a positive thing. When you look at a photo album it's lovely to remember being so young but it's also good to know you grew up!

I feel that my playing on the first album was probably some of my best.

Rounder Records decided to call the album Move It On Over, much to my chagrin but they knew what they were doing. It took off and to this day I can't figure out why.

When you hear 'Truth of Touch,' I believe you recognize that it is me; however it's not the typical Yanni album.

The first album is a classic record and I think the prototype of a sound that no one else does.

I also mixed David Bowie's Young Americans album in 5.1 earlier this year and it will be available very soon. Even the original stereo mixes have been re-mastered and sound amazingly good, better than ever, in fact!

By the time I did that third solo album, I'd finally learned how to do it, but I'd also learned that I liked being in a band.

We were contracted to make a soundtrack album but there really wasn't enough new material in the movie to make a new record that I thought was interesting.

Heartbreak can definitely give you a deeper sensibility for writing songs. I drew on a lot of heartbreak when I was writing my first album, I didn't mean to but I just did.

Then the album created a tremendous furor and got me kicked off Christian television for two months, and then restored after they settled down and listened to the music and realized there was nothing wrong with it.

If I like it, it's gonna be on my album. You can't please everyone.

We have been trying to play a lot of different kinds of music, and probably the next album will go back more towards the direction where you couldn't classify each song as a certain kind of music. This album you can.

I genuinely don't know how many albums I'm going to sell when the new album comes out, because I honestly don't know how many fans I've actually got at the moment.

They've got the singles and some people have burnt them from different web sites and stuff. So it was something that we talked about for a long, long time, and I just wanted to make sure that this remix album to be really special.

The Hadley Street Dream is a tribute to making a vision come to life. My father built a compound on a dessert city block, he saw something in that space we couldn't see. It was years later the album was born right there on Hadley St. He built the studio I started recording the album at.

A lot of good has come from drugs. I think 'Penny Lane' is worth 10 dead kids. Dark Side of the Moon is worth 100 dead kids. Because a lot of kids wouldn't even be born if it weren't for that album, so it evens out.