Writer Quotes

There are certainly times when my own everyday life seems to retreat so the life of the story can take me over. That is why a writer often needs space and time, so that he or she can abandon ordinary life and "live" with the characters.

A good writer is always a people watcher.

I am a sensitive writer, actor and director. Talking business disgusts me. If you want to talk business, call my disgusting personal manager.

I have a cheat-sheet for each one of my characters about their personality, the way they look, etc. So there is no possible way that I could have writer's block.

I cannot imagine any writer who would not fight for his peace and quiet.

I'm a writer first and an editor second... or maybe third or even fourth. Successful editing requires a very specific set of skills, and I don't claim to have all of them at my command.

I'm a dad, I'm a husband, I'm an activist, I'm a writer and I'm just a student of the world.

I think my family and closest friends are learning about my need to withdraw, and I am learning how to restore and store my energy to both serve the community to the best of my ability and to serve my writer's heart.

In utter loneliness a writer tries to explain the inexplicable.

It must inquire not merely about the circumstances of the time in general, but in particular about the writer's position with regard to these things, the interests and motives, the leading ideas of his literary activity.

I never thought of myself as either a woman or a man. I thought of myself as a person who was born to a writer, who was doomed to be a writer.

David Brinkley was an icon of modern broadcast journalism, a brilliant writer who could say in a few words what the country needed to hear during times of crisis, tragedy and triumph.

I have pretty thick skin, and I think if you're going to be in this business, if you're going to be an actor or a writer, you better have a thick skin.

The writer's language is to some degree the product of his own action; he is both the historian and the agent of his own language.

While I would agree that I write about serious subjects, and that they're not necessarily the most pleasant subjects or even the most pleasant people, as a writer I just think about the humorous aspects of these things - that's what keeps me going when I'm writing a story.

I'm a fairly fast, but sloppy writer, so I'm a big fan of re-writing, and re-writing again.

I hated L.A. for a long time, and I wanted to leave it. I had these fantasies of going to 'SNL' and falling in love with some writer on 'SNL,' of getting married and living in New York.

Studying psychology is fun because you're always looking for the same things I think a writer should be looking for, which is the story behind the story.

An absolutely necessary part of a writer's equipment, almost as necessary as talent, is the ability to stand up under punishment, both the punishment the world hands out and the punishment he inflicts upon himself.

TV is very much a producer and writer or creator-driven machine in the States. And I'm the kind of actor that needs to be pushed and have someone on my case a little bit, so I suffer from that.

I think if I had been writing fiction, where the work is entirely dependent on the writer's creativity and the potential directions the narrative might take are infinite, I might have frozen.

My father was a classical musician and my mother was a writer.

I do not consider myself a Hispanic writer.

Mystery writing involves solving a puzzle, but 'high suspense' writing is a situation whereby the writer thrusts the hero/heroine into high drama.

When I went to college I took a creative writing class and decided in a week to be a writer.

The writer wants to be understood much more than he wants to be respected or praised or even loved. And that perhaps, is what makes him different from others.

Every writer knows he is spurious; every fiction writer would rather be credible than authentic.

When you're an actor working in the theater, you would never say anything to the writer, never alter the dialogue, never dream to ask for changes.

The way you get your script to the right people is that you put it in an envelope. It's easy. The difficult bit is writing something that is so good people will take a punt on a brand new writer.

In that sense, film is superior, but the difficulty is your lack of control as a writer.