Weren Quotes

My father was a carpenter, a very good carpenter. He also worked for the Jones boys. They were not family members, we weren't related at all. They started the policy racket in Chicago, and they had the five and dime store.

Well, we certainly weren't making a cartoon show for kids. It was a completely different kind of idea.

If I couldn't laugh I just would go insane, If we couldn't laugh we just would go insane, If we weren't all crazy we would go insane.

Yeah, but you need an experienced radio veteran who is a liberal advocate. And there just hadn't been any radio that did that. And so they weren't trained - they had developed all these bad habits of being objective and balanced and stuff like that.

My father was a very unhappy person, very sarcastic, and my mother was very nervous and worried about what people thought. They weren't monsters, but it wasn't a good childhood.

Lesbian humor isn't trying to sell anything, it doesn't have to sell out. Coming out as a lesbian onstage is still a very political act; if it weren't, more women would do it.

I decided I was going to tell these stories. I went around and met Crumb. He was the cartoonist. I started realizing comics weren't just kid stuff.

The letters were universally complimentary, and we designers loved hearing that our games were being enjoyed, but if they weren't sending us a picture of their screens most of those writers would have spent their time playing the game rather than writing letters.

When I was in elementary school, we weren't allowed to do sports other than cheerleading. By junior high, they let us play, but we had to come back after 6:30 p.m. to practice because there was only one gymnasium and the boys used it first.

People used to think we just faked all that stuff... it was all written, rehearsed. The fact that it looks as cobbled together as it does is just that we weren't very good.

Hollywood is the most superficial thing you could possibly be a part of and if I weren't attractive I wouldn't be working at all.

I was never that kid who grew up in New York and was always at the arthouse watching important films. I was the kid who grew up in the Midwest where there weren't any art films, and I watched TV. And that was really the medium that affected me and that I fell in love with.

The first year we actually did a lot of night shooting and the writers weren't even allowed on location.

Larry Kasdan wanted us all there, all the time, even if we weren't filming.

At home, growing up, we weren't really poor. We had everything we needed, we just didn't have what we wanted.

I came into the industry at a time when there weren't a lot of choices to what you could do.

Kurt and I weren't the closest of friends, but I knew him well enough to be devastated by his death. For such a quiet person, he was so excited about having a child.

A lot of the stuff I've accumulated over the last few years of touring I thought was really interesting. Like sounds, sound bites, and beats even, but they weren't good dance beats they weren't ones anyone would want to rap over or anything.

The polls indicated that I was feisty, that I was tough, that I had a sense of humor, but they weren't quite sure if they liked me and they didn't know whether or not that I was sensitive.

My wife asked me once if I weren't a comedian what I would do. I couldn't answer the question. I never imagined doing anything else.

Everybody in Hollywood was in Around the World in 80 Days. If you weren't, you left town and made up an excuse.

I entered into Dawson's Creek to do a couple of episodes. They weren't sure about my role in the beginning, but then the chemistry kind of worked.

If you look at the guys in the '70s, like Led Zeppelin, they had bigger planes than we do, they had more money. But they weren't singing about it.

I was pleased that two very disparate photographs, two images that each worked in their own way had appealed enough to other people for them to buy them. I was also relieved they weren't the last ones purchased, and that they sold for a pound more than the frame was worth.

If it weren't for baseball, many kids wouldn't know what a millionaire looked like.

You'll find as you grow older that you weren't born such a great while ago after all. The time shortens up.

The Monkees was a straight sitcom, we used the same plots that were on the other situation comedies at the time. So the music wasn't threatening, we weren't threatening.

I'm just observing the world. I was born into it, like you were, and then I found out there were some really disturbing aspects to being alive, like the fact that you weren't going to be alive forever - that bothered me.

There were a couple Aborigines in my primary school, but we never spoke to them. They kept to themselves, and we never really even locked eyes. They weren't acknowledged officially either.

I was eccentric, even as a kid. I was an early reader, an early talker. I was very curious in a way that maybe the other kids weren't. I was a little more outgoing.