Theatre Quotes

It was in New York, and I've always wanted to film in New York. And the writer was a teenage friend of mine. We did youth theatre together when we were 16 and always had a dream of making a film together. And ten years later, we've done it. So it's great.

I never thought of myself in comedy at all... I loved going to the theatre and seeing people wearing beautiful clothes come down the staircase and start to dance.

In fact, one was so booked out we went from March and were to go till November, but the pantomime was booked so they transferred the show to the Prince of Wales Theatre because it was so packed out, and it ran on from there.

I love doing movies but I loved doing theatre just as much.

There's something about doing theatre in London - it sinks a little bit deeper into your soul as an actor. It's something about the tradition of theatre, about performing on the West End stage.

Inside I never said I wanted to do theatre or be an actor.

I was supposed to go to drama school and then go to New York and do theatre. But I grew up on all those fabulous movies and had read all the bold Hollywood books, and I thought I just had to take a look.

I get bored at the theatre a lot because I notice that there's not always a connection between the actors. They may be technically proficient, but they're not surprising each other. I'm thrilled by actors who make choices that are surprising.

All of a sudden Kevin told me that the movie got bought and was gonna be shown in a movie theatre. I was shocked. I was psyched. It was just weird.

I was never the class clown or anything like that. When I was growing up and doing theatre in Seattle I was always doing very dramatic work. Now I can't get a dramatic role to save my life!

I knew nothing about film at all. I suppose the biggest surprise is all these things. In the theatre we sort of do, I might do two or three key interviews and that would be it.

I tell my children to avoid theatre and go into cinema and TV.

My teachers encouraged me to audition for some professional work during our summer vacation. I landed my first job. It was for the National Theatre Company's Mimika Pantomime troupe. I ended up touring with them for the next two years.

At the turn of the century theatre does not have to be prescriptive.

When you combine the men and women deployed from our military installations with activated reservists and members of the National Guard, Georgia is contributing more personnel to the theatre than any other State in our Union.

As I had collaborated with visual artists before whether on installations, on performance pieces, in the context of theatre works and as I had taught for a time in art colleges the idea of writing music in response to painting was not alien.

I figured as I got older, the good roles for women would be in the theatre. So 15 years ago I started building a Broadway career to try and develop the chops to be accepted as a great theatrical actress.

When I write, I am not giving a lecture, I am speculating on behavior. Sometimes this is dangerous, but it should be. As I say often, theatre is a dark place and we should keep the light out of it.

All the best performers bring to their role something more, something different than what the author put on paper. That's what makes theatre live. That's why it persists.

I still think of myself as a stage actor. When I do film and television I try to implement what I was taught to do in theatre, to try to stretch into characters that are far from myself.

Everyone the world over talks about British actors and British talent and I think that's because we were trained - until now - in theatre.

I think theatre helped, only because it was acting experience. I got to work with a lot of directors.

When I come into the theatre I get a sense of security. I love an audience. I love people, and I act because I like trying to give pleasure to people.

I have the terrible feeling that, because I am wearing a white beard and am sitting in the back of the theatre, you expect me to tell you the truth about something. These are the cheap seats, not Mount Sinai.

I really look up to actors like Gwyneth Paltrow and Cate Blanchett who have a strong background in theatre.

My operas and my theatre works are very formal pieces.

For the theatre one needs long arms; it is better to have them too long than too short. An artiste with short arms can never, never make a fine gesture.

My father's parents were carpenters. They were also builders partly. They were painters. And several of them were very, active in the theatre and all such nonsense, you know.

I know what I am able and not able to do. Fashion? OK. Fashion... clothes in theatre, in an opera, in a concert - all that I love. To make a movie myself... no!

Theatre is immediate, it's alive, you're there with the audience, it can't be done again and again and again and again, it's organic.