Theater Quotes

Theater to me is acting but it's more real on film.

I'm not photographing the model in the classic sense; the model is playing a part in my photographs. It's more like theater. I always work with models I know, and I let them participate in deciding how to act their part.

I just like the continue doing what I've been doing. A melange of funny, straight drama, television, movies, a little theater here and there wouldn't hurt. So if I can keep doing that, I'll be a very happy person.

I was chomping at the bit to get my career started - so after I took all the theater courses at Brooklyn College I enrolled in a two year program at AMDA in the city (The American Musical Dramatic Academy) I was there for 6 months and loved it.

Having come up in the era where movies are only movies if they're released in the theater... I don't know if that holds true anymore. I've been involved in some movies that have gone 'direct-to-video,' and that used to not be a good thing, but now it's different.

We used to play in a theater club in London called The King's Head. When the theater let nut, around 10:00 P.M., we'd be ready to go and really get it on for about an hour or so.

Yeah, I do get to do some theater occasionally. I don't get to do it as much as I would like to.

The Lord Chamberlin was censoring scripts when I first came into the theater.

I was going to middle school in Berkley, and I did not fit in at all. Like a lot of kids, I found theater to be a good place for me.

I am married to the theater, and the films are only my mistress.

Wouldn't it be grand if we thought that theater could have that impact on the political life of a country?

New York is not conductive to theater. New York does not encourage its young. It does not encourage experimentation.

Playing in front of an audience was just such a turn-on for me, and you have 200 people in the audience and it's like doing live theater. And filming something that goes to millions of people several weeks later, it's an interesting dynamic.

We film in front of a live audience, and I was a theater actor before I got into television, so I like that.

The Majestic Theater in 1990. That was one of my first real shows where I had 300 to 400 people there.

When the theater gates open, a mob pours inside, and it is the poet's task to turn it into an audience.

I've been acting since I was six. I actually played a boy when I was six in 'Tommy.' I played Tommy and they put a wig on me. They put up my hair and put this little boy wig on me and that was my first acting experience. Then I did some other professional theater. I did Shakespeare when I was older.

I was preparing myself for the theater, and... I got a little job here and a job there, but it wasn't going well, and I considered some time before the mid-60s that maybe I should consider something else.

I'm terrified of being too famous. What I'm really afraid of is that the audiences will go into the theater and not be able to forget that it's me, that fame will stand in the way of my acting. I want to keep being able to change into different shapes and different personalities.

I want to give the audience a hint of a scene. No more than that. Give them too much and they won't contribute anything themselves. Give them just a suggestion and you get them working with you. That's what gives the theater meaning: when it becomes a social act.

Broadway has changed tremendously from the early days when the shows were referred to as musical comedies. Musical Theater is now a more expanded art form. Back then, singer/actors were not the norm. From the 60's to now, it is necessary to do it all to be a consummate Broadway performer.

My sense of responsibility to the audience is to screen things that they would never see in a local theater.

I come from a traditional theater background.

The perfection in theater is that it's over the second it's done.

I've just taken the decision that I'm going to now go full time back into the theater.

Politics with me isn't theater. It's performance art. Sometimes, for its own sake.

I am really not of the school of naturalism. I like style, and you can use more style in theater than in film roles. I love to sink my teeth into a part.

When I was doing ensemble theater and comedy work, I felt I had some talents. But when I started doing my shows in Berkeley and found that I could be funny on my own, I was shocked.

In theater and dance, I was trying to win someone's approval, trying to get in, trying to be good. It felt out of my control, whereas music suddenly felt like this free expression. It was fun.

The award is important in order to bring people to the movie theater. That's the only principle meaning of any award.