Style Quotes

I check Style.com to look at the collections and love to poke around some of the other fashion blogs to see what's going on.

I would get records by Earl Scruggs... I would tune my banjo down and I'd pick out the songs note by note. Learned how to play that way. I persevered. There was a book written by Pete Seeger, who showed you some basic strumming and some basic picking... And I kind of worked out my own style of playing.

It used to be that you could do these nuggets of a movie and it would attach itself in terms of credibility to your work and the style of work that you did, that people would be interested and curious about you and your work as an actor.

An artist must never be a prisoner. Prisoner? An artist should never be a prisoner of himself, prisoner of style, prisoner of reputation, prisoner of success, etc.

The difference between style and fashion is quality.

I could have closed down bits of British Home Stores to make more money but it's not my style. I want to make my money as a retailer, not by putting people out of work.

I'm a child of the 70's; influenced mostly by albums that had a wide variety of style.

I think the work that they do and the style of 3D graphics is absolutely fabulous and I think it's a great brush to use for some stories. And there are other brushes that I think are exclusive to a different kind of story.

Robert Benchley has a style that is weak and lies down frequently to rest.

Films, fiction, can encompass a whole global vision on a particular subject with any story, whatever it is. You can play the story in whatever country with whatever language in whatever style you want to tell the story in.

It ain't about if he knocks a guy out. It's about how he knocks a guy out. It's the style, the improvisation.

You get used to working with one choreographer. You kind of get stuck in that vein and you work your way out of it, picking up someone else's style, their flavor. It takes a bit of time.

I didn't follow the standard rules of bass playing, and many musicians on many different instruments who became noteworthy for their unique or particular style did a very similar thing.

To understand a literary style, consider what it omits.

When we see a natural style, we are astonished and charmed; for we expected to see an author, and we find a person.

But once you have some success in one style, the business wants to lock you in that vein forever.

Style is primarily a matter of instinct.

When I cut my hair, the whole sound changed, my style changed.

Some people try to paint in my style. Some simply sell pirated copies of my work. Some claim to be my publisher or agent or even my exclusive representative, when they are not.

Nobody stands out right now. Everybody has similar styles. None of these fighters have reinvented the wheel and created a new style.

It was a very bizarre experience for me, to get the songs together, go in there, and try to deliver them as I would perhaps in a live setting. But I realized that I couldn't take on that coffeehouse style that I came from and go in there and burn it up.

My way of remaining French was the financing scheme I used for Quest for Fire, with Fox funds, since it started as a 100% American production. The film was not in French and yet was French in style, reflecting my personality.

Peter, of the three of us, was our prince. He seemed so timeless. He had such elan and style.

I appreciate what others have done in the past especially for my genre, and my style of singing. And they sure put a footprint - you know, they got the foot in the door, but I'm going to put my foot straight through the door.

Actually I like the idea of being a Renaissance hack. If tombstones were still in style, I would want to have the two words chiseled right under my name.

People have used my songs and guitar style to teach guitar for a long time.

When a documentary filmmaker, working in the style that I do, suggests that there has been a shooting ratio of 40 hours to every one hour of finished film, that doesn't mean that the other 39 are bad.

My life style in a sense is kind of private.

Folk rock was my real roots. I did a few gigs as a folk artist, in the style of Fairport Convention.

I brought a lot of my own pieces of clothes to the design room when I first met with the design team just so they could see what my style was like.