Studio Quotes

I think you get in trouble if you make experimental big studio films.

I used to record but just in my own studio or in my friend's back when I toyed with the idea of being a rapper.

Schaeffer gave me permission to work in the studio with a technician, but I've never worked with him.

When I get in the studio the idea is just to work and bang out as many as I can.

I've been messing around in the studio the last couple of years. But I don't want to worry about being taken seriously as a singer. It just really feels good to do it.

Every time I went into the studio some engineer tried to impress me with how they're going to capture my sound with all kinds of tricks. But they limited the sound and never allowed me to play how I felt.

The way I work on music is that I go into my studio, and I start playing music, and I see what happens, and... I never think about it.

Even though I build buildings and I pursue my architecture, I pursue it as an artist. I deliberately keep a tiny studio. I don't want to be an architectural firm. I want to remain an artist.

It would be a dream come true if I could just go from studio to studio and play solos.

The studio thought I was crazy to perform all of my own fencing stunts, but I loved it.

My studio is a laptop. Everybody I work with is the same. We make computer music, we're the laptop generation.

It is a lot cheaper to spend eight hours in a rehearsal hall than in a recording studio.

I had this instinct and I just knew it. It was a very strange thing and as soon as I finished recording it, we were all in the studio saying we have something really special here.

No studio in Hollywood wanted 'Cold Mountain.' None. No one wanted 'Ripley,' no one wanted 'The English Patient.' That tells you there isn't really an appetite for ambitious movie-making out there.

When we came into the studio I became more and more me, making the tracks and choosing the musicians, partly because a great deal of the time during Bridge, Artie wasn't there.

I met Jack Bruce, one of my heroes, in a studio while doing some recording. England had just beat Scotland in a big football match and I saw Jack trying to break into this refrigerator in the lounge, drunk out of his brain, and I didn't know what to say.

The flow of Guiness into the studio was inspirational as well as nutritive.

But I feel that I have a responsibility to help the film and I have relations with the studio and with those who put up the money so that I can tell a story that I believe in.

Walt gave me a VIP tour of the studio. I remember people doing voices.

Actually, because of new technologies, my full studio is on my laptop. And I have a little keyboard in my bag. I can make everything I do come from my laptop. Even when I go to a big studio, all I do is to plug in my laptops. That's they way I do it.

Yes, the first job I had at the studio was Snow White. I don't like the term particularly, but I got stuck with the human characters. They just didn't have that many people who could draw humans.

In the studio the director controls the actor's every move, every inflection, every expression.

I got out of high school, bought a recording studio and started operating it as an engineer and a producer.

Even up here on Vancouver on the weekends, I go work out in a studio space.

Studios were just run differently. There really was a head of a studio. There were people who loved their studios. Who worked for their studios and were loaned out to other people and everybody sort of got a piece. Well now there's a handful now.

When you do a writing job for a studio, one of the things you want to do is satisfy the expectations of your employer. That's a little bit different than when you sit down and write something to satisfy yourself, because then you're the employer.

I knew de Kooning and I went to his studio so I knew about de Kooning's work. But only a little handful knew about it, you know. Maybe there were ten people that knew about it.

My first show sold within the first 3 minutes, and I came back to the studio and spent the next two and a half years making almost nothing.

If you think of movie studio executives, say, as society, then I root for the independent producers.

For the most part, studio movies have huge budgets. They don't do anything under 30 to 40 million. When you have that much money at stake, you have so many people breathing down your neck.