Studio Quotes

Just when I think I hate fashion, I hate clothes, I'm seized by this crazy thing that I have to do. I have this little studio now where I just draw. I can be in the room for three days and not even look up.

I am racing to the studio the moment that God affords me the opportunity to hear again.

I think it was probably down to the fact that we weren't together personally as a band. We weren't pulling in the same direction. I always feel if you're having a good time in the studio it actually comes across on the tape and that was a bit of a miserable album for us.

And I remember going to the record studio and there was a park across the street and I'd see all the children playing and I would cry because it would make me sad that I would have to work instead.

So I was at the Actor's Studio, thinking about this, and I happened to glance over to the other side of the stage and I saw the ugliest chair I have ever seen. And I thought, 'Well, I could kill that chair!'

I am always locked in my design studio.

In the studio, I'm always throwing people on different instruments.

All of my books have the potential to become movies, it's just a question of finding a studio who wants to get behind me and put up the money to make the movie.

I write in the studio.

Then, as now, the Disney studio buzzed with activity. You had a strong impression of being at the center of something very exciting.

Many rock musicians are excellent cooks, I've found, and those that are prefer to eat their own cooking in the studio. I encourage this behavior as I also enjoy the benefits of fresh food.

In a lot of movies, especially big studio ones, they're not constructed in any other way than to get people to like them and then tell their friends. It's a product.

Terry said he had this new kid and his wife didn't want to live in England. He wanted to tour. He hated being in the studio. Terry liked seeing various bars the world over and getting smashed out of his brain. He was a sort of latent Keith Moon.

In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?

Daffy, of course, wants to go on the journey with him but the studio decides they want Daffy back, so Bugs and a young studio executive heroine have to go out and try to bring him back.

By the time I'm in the studio recording my parody, 10,000 parodies of that song are on YouTube.

I think that songwriting changed when groups started spending more time in the studio.

Studio people are idiots. Until they see someone else doing it and make a success of it, they don't open their minds. Most of them are idiots.

In America there's no rights for the artist, so whatever films I've made kind of belong to the studio.

The first four and a half years was me in the studio every day, writing songs for other people. I had jobs, too - eleven jobs. I worked at Kinko's, Fatburger, Subway - I was a sandwich artist - and I was a claims processor at Allstate Insurance.

Locations are all tough, all miserable. I never left the sound stage for 18 years at Warners. We never went outside the studio, not even for big scenes.

But at the same time, never having final cut before, I really learned an interesting thing for any studio executive who is reading this: that if a director has final cut, it's actually easier and more interesting to listen to notes.

To me, there is nothing better than me going into the studio with a live band and hearing those violins and that echo and that sound. I mean I loved it.

We knew we did not want to record at Impulse Studios again, after the experience of recording in a 'real' studio in London for the Radio One session we did.

When people ask me if I have a hobby, a lot of times my answer is that I like to surf in warm water. I like to ski, if I have the opportunity. But really, I like to go to my studio and write music that I want to write, where there's no pressure to come up with a hit single.

One of the reasons I wanted to do a show about Nashville in Nashville was because when I lived here, the hardest thing to go out and hear was country music. Country was taking place inside the studio and it was an export.

I'm not one for walking the beaches humming a melody. I love the discipline of sitting in the studio, writing and listening. That is my domain.

Walt Disney had always tried to get more dimension in his animation and when I saw these tapes, I thought, This is it! This is what Walt was waiting for! But when I looked around, nobody at the studio at the time was even halfway interested in it.

I have a rough idea when I walk into a studio though.

When it began I wrote this passionate letter to people I knew, studio members, of course, and other people with whom we have worked over the years and I said come and teach our students.