Studio Quotes

I would have been content to just do studio work, making it on my own never really entered my mind.

There was a time when my mum would sew costumes for the dance studio so we could keep doing our classes because we couldn't afford them.

I watch my contemporaries, and they love to live in the studio and I don't. I have a life. I treat it as a 9-to-5. I try to create something new every day, and then I get on with my life.

Black Sabbath was written on bass: I just walked into the studio and went, bah, bah, bah, and everybody joined in and we just did it.

I never walk into the studio and say, I'm going to write a song called... 'X' or called 'Slow Me Down.' I write a ton of lyrics, often the title is somewhere in those 10 pages of... I call it brain vomit. It's kind of like whatever comes out of my head and I'm unabashedly just writing it down.

My studio is designed for atmosphere. I have a really cozy, comfortable room that has a great, huge glass door that views my backyard.

I'm vulnerable to criticism. Any artist is, because you work alone in your studio and, until recently, critics were the only way you'd get any feedback.

Being in the studio is okay but sitting in a room by yourself composing is a discipline that takes a certain type of mind set and Tommy has a great gift for that as did the previous guy.

I ran into Snoop one night. I was in the studio later, and I got this beat and thought he would sound great on it. I called him and he came right through that night.

I love working with different musicians in the studio, that's a real joy working with someone for the first time.

I don't typically work that late into the night in a studio, I'm more productive during the day.

I'm in the studio 24 hours a day. It's true that once you get a certain level of success, you become a target. Talk magazine should be ashamed of themselves.

I've never done a big studio film, I've only ever done little ones.

I can't get hired in a studio movie. Everything is so uphill.

Dore Schary was then head of the studio and he wanted to change my name.

I am a night painter, so when I come into the studio the next morning the delirium is over.

Maybe I should have taken a few chances. That's not to say I want to go make 'Star Wars,' but I need to shift my career into the studio world. That's where my head was at when I thought of the original plot.

Around the age of 14, 15, I was in the studio, serious about it.

No matter how many modern parts I do, people still refer to me as Mrs. Costume Drama. Fight Club is a studio pic, and I've done very few of those. I've got a feeling it's going to change things for me.

Once I got a record contract, and I took my songs which weren't quite finished, or maybe they were a good idea, maybe they weren't. I took them into the studio and developed them. They came to life and they evolved... and they're great.

In the studio system, things are expected of a film. By the first, second, third act, there's a generic language that comes out of the more commercial system.

T Bone and I grew up together in Fort Worth, Texas. He had his own recording studio by the time he was seventeen years old. When we were both nineteen he made the first archival recording of my voice.

I got into the studio when I was thirteen. At the age of twelve I was doing public performances.

Back in the day, I used to be in the studio recording 20 hours a day. And that was all of the time. I still record a lot of hours, but I don't go as long as I used to.

They're mostly done before we went into the studio, although I do like writing in the studio.

If you do a film with a studio, agents step in, they start saying, 'My actor has to get this amount of money', and it becomes about deals.

Well, we didn't have our original drummer on our last record. And most of that album was not played as a band in the studio. It was mostly the world of computers and overdubs. There was very few things played live or worked out as a band.

But I don't like working on lyrics publicly in the studio - I prefer to take them away and work on them in my bedroom.

My parents are artists; in their world, in the world of modern artists, you are supposed to just go into your studio and tune everything out, and your entire relationship with your work is supposed to be a super private one. That was the way to do it and you weren't deeply truly artistic if that wasn't the way you were engaging the press.

I would love to do a big studio movie, just because they're going to put the money into distributing it. A lot of times you do these little movies, you love them and they never get seen by anyone.