Spaces Quotes

I'm very attracted to the great open spaces of the West.

I love building spaces: architecture, furniture, all of it, probably more than fashion. The development procedure is more tactile. It's about space and form and it's something you can share with other people.

One likes to think that one anticipates changes in the spaces we inhabit, and our ideas about space.

People have less privacy and are crammed together in cities, but in the wide open spaces they secretly keep tabs on each other a lot more.

The more I read, to me the more incredible everything is. Based on what I've read, there are all these other dimensional planes and spaces, mathematically proven.

I realized I was a country person - I'm just not used to small spaces.

I mean, money people are usually quite brisk, but mine aren't, and they keep on giving me spaces so that I've been able to go on and do plays and films.

Architects in the past have tended to concentrate their attention on the building as a static object. I believe dynamics are more important: the dynamics of people, their interaction with spaces and environmental condition.

One thing I'm doing on the new Titanic recording is actually bringing in different acoustic spaces.

The internet, Facebook and Twitter have created mass communications and social spaces that regimes cannot control.

My place in Chicago is a 105 year old house, but I really like contemporary spaces too, so it's refreshing and fun to be in a space where you can do contemporary things.

And the beautiful open spaces, the forests of Pennsylvania, the recreational uses that come from having these green open spaces and forests, they contribute dramatically to the level of our tourism, dramatically.

Politics can be relatively fair in the breathing spaces of history; at its critical turning points there is no other rule possible than the old one, that the end justifies the means.

Deep down, the US, with its space, its technological refinement, its bluff good conscience, even in those spaces which it opens up for simulation, is the only remaining primitive society.

Sacred spaces can be created in any environment.

Angels are not complete, they need their counterparts, the dark needs the bright, the hidden needs the open, and vice versa. Sometimes they meet and recognise each other. Sometimes, as with Horatio and me, the pairing occurs over spaces of time and distance.

I kind of like the challenge of jumping into totally different spaces and styles and figuring out how to fit in.

Questioning the nature and implications of liminal instances necessarily involves failure, if only in the specifically technical sense of entering spaces where prevailing criteria of success scarcely apply.

The eternal silence of these infinite spaces frightens me.

My analysis was directed toward purely physical conditions, such as defective wiring, presence of lack of air spaces between metal flues and woodwork, etc., and the results were presented in these terms.

It's not about doing over the living room of someone who has bad taste in color. This is about restoring historic buildings and instilling pride in a community, which can be done through designing new public spaces and social gathering spots.

I think you just assume that your memory is just sort of a video playback of your experience, but it's nothing like that at all. It's a complete refabrication of an event and a lot of it is made up, because you're filling in spaces.

In the mid-'60s in Berkeley, the theory of measure spaces of economic agents became one of my main interests.

I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.

In practice, I've had a presence in China since 1998 with my commercial spaces and shops.

We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.

Of all the diversions of life, there is none so proper to fill up its empty spaces as the reading of useful and entertaining authors.

You're torn between wanting to fill in all the spaces and knowing that's really going to screw up the screenplay. And yet, how are you going to communicate it to people who really don't understand the process?

Preserving parks and open spaces is a winner because it doesn't need to be explained to everyday Americans.

I asked Ring Lardner the other day how he writes his short stories, and he said he wrote a few widely separated words or phrases on a piece of paper and then went back and filled in the spaces.