Song Quotes

I'm a sensitive guy. If you are a woman and you're in any kind of emotional duress and you write a song about it, I'll buy you album.

One of my favorite songs from the album is a song called 'For Better or Worse,' and it's basically about unconditional love, which is, I'd say, an ongoing theme in my personal life.

Listen kid, take my advice, never hate a song that has sold half a million copies.

I don't think Ed Sullivan had anything to do with Carib Song.

Without a song, each day would be a century.

'The Christmas Song,' by Nat King Cole, is not only a masterful performance; to me it just sounds like the holidays. I've never sung it, because Nat's version is so perfect. I gotta leave it alone.

The album is a definite departure. I haven't written original material before, except for one song on my first album, but Elvis and I did six songs together on this one.

Lionel Richie, love song, OK, thank you very much, good-bye. And all of a sudden I realized that, in my career, what has made my career has always been the surprises.

I'm sure there's going to be some material from This Is Not Going To Be Pretty. I usually use that song to just introduce myself to the audience, although the patter in between the song is always different.

I have never sung a whole song on my own before and I am not the best dancer in the world, but I would rather try and fall than not not try at all.

I was singing a lot of waltzes. And I was with Jerry Kennedy, my producer, and he was playing me some songs, and he said, hey, I want to play you this song that I'm going to get Jackie Ward to record.

I've always said it took me 20 years to find out how to write a song in 20 minutes.

I did write a letter to the archdiocese who'd banned the song, Only the Good Die Young, asking them to ban my next record.

If Mozart were around now he would write a killer rock song.

I don't like lyrics that are just thrown together, that were obviously written as you went along, or the song was already written and the guy made up the lyrics in five minutes.

We played a gig and we had a song that was offensive to people of the Jewish persuasion, and we led off with it, and they were offended by it, and that was that.

Unless I really loved it and felt really passionate about it, I would just kind of abort the song and start a new one.

We wanted to write a whole song about partying and then taking Yellow Cabs home. That's the weirdest topic we've ever thought of centering a song around.

I just wrote one song at a time. Kinda like an alcoholic. One day at a time.

Somehow you can tell the difference when a song is written just to get on the radio and when what someone does is their whole life. That comes through in Bob Dylan, Paul Simon, Willie Nelson. There is no separating their life from their music.

I don't want to scream 'Immigrant Song' every night for the rest of my life, and I'm not sure I could.

I continue to believe, contrary to the given wisdom, that it's more interesting to have an album - or, indeed, an individual song - which has variety rather than homogeneity.

Tori Amos had a major influence on how I craft words in a song. Until I heard 'Little Earthquakes' all my lyrics used really obvious analogies like rain for tears.

I try to keep my ear to the streets without sacrificing who I am as an artist. If a song needs a drum machine I'll use a drum machine. If it needs a drummer, I'll use a real drummer.

I would rather be remembered by a song than by a victory.

I think the melody is the first time I hear in a song and if I like the melody, then I'll pay closer attention to the lyrics.

I would have to work on the song and figure out how they wanted the song done, because they're such high-intensity songs. We figure that out first, then I go back and listen to it and go over and rehearse stuff with it and try to get a feel for the words.

When I sit down to write a song, I really want the message of healing to thrive and transcend all ages.

I write a lot, and very often I write a couple of lines that are particularly revealing in some kind of way. And then as a few more lines get added and a piece gets added, eventually the song pretty much takes over and you can't really find a way to change those things.

I make the songs and part of making them is singing them. But what you hear is not me. It's the song. It's through me.