Sidney Quotes

I was walking around with the babies so much that when I got to the Sidney Lumet picture, I would be on set in between takes and I'd be rocking back and forth. Just standing like this rocking back and forth, and Sidney would say, Why are you walking like that in between takes?

We feel that, with Sidney, we have a great opportunity over the next few years to put a great team on the ice. We're prepared to lose some money along the way. Eventually we're going to need some help.

The bravery of Stanley Kramer's 'Guess Who's Coming to Dinner' amounted to two Hollywood legends - Katharine Hepburn and Spencer Tracy - telling the world that a black son-in-law is something they can live with, and so should you, especially if he looks like Sidney Poitier and has degrees.

Every actor in the room honored Sidney for being there so many years before. And everybody was so moved to be at a place where history was being made again. It was tangible.

Sidney Poitier, who is class personified, said: 'Lou, you're a leading man because you're a good actor.' Brought tears to my eyes.

I was playing this horrible part. I didn't didn't want to play it because the character was an awful racist. But I'm glad I did it because I met Sidney Poitier.

Sidney Poitier became a star in part by helping black and white Americans negotiate their new relationship in the post-Civil Rights era.

I think the lottery changed everything for us. Once we got Sidney, it helped us turn this franchise around overnight.

When I became a director, I wanted to convince a very reluctant Sidney into allowing me to go on the journey of his life. Sidney had gone ahead of every other African American actor.

I heard Sidney Bechet play a Duke Ellington piece and fell in love with the soprano saxophone.

We don't often look into these unpleasant details of our great struggle. We all prefer to think that every man who wore the blue or gray was a Philip Sidney at heart.

Sidney Lumet's chief preoccupation wasn't art. It was right and wrong in the American city, nearly always in New York.

My instinct was that it was Sidney's childhood in the Bahamas that gave him the fearlessness to fight racism. So this documentary was a kind of rounding out of what had begun in that scene in In the Heat of the Night.

I hooked up everybody in Sidney, including one guy who was blind.