Shooting Quotes

They're not shooting me for deserting the United Stated Army - thousands of guys have done that. They're shooting me for bread I stole when I was 12 years old.

You can't have a relationship when you're shooting a 14-hour day and your husband is shooting a 14-hour day in the same city. It's a time thing and it's a together thing.

I hadn't worked for a year when I had my Prison Break audition and it was the easiest audition I've ever had. I got the script on Friday, went to the audition on Monday and got the part on Tuesday. I was shooting the pilot a week later. I didn't have time to be nervous - it happened so quickly.

I grew up in Los Angeles, and I've made movies all over the world... I've been in New York, Norway, Chicago, Pittsburgh, Philadelphia, London - I've been in all these cities, shooting away in the winter, thinking, 'People who choose to live here are insane.'

What made us different from other westerns was the fact that 'Gunsmoke' wasn't just action and a lot of shooting; they were character-study shows.

Four months after we finished shooting, I'd been in New Orleans shooting another movie and my agent and I were having a bite to eat - actually in London - and he's sitting there and goes, 'Wow, I just can't believe how ripped you are.'

We're shooting for the title of hardest-working band in America.

We have wasted History like a bunch of drunks shooting dice back in the men's crapper of the local bar.

I don't mind a little Sturm und Drang. When I was doing 'Riding in Cars With Boys,' I wouldn't smile at anybody, because my character, Bev, was angry at the world. I'm the opposite. Inside my head I'd be like, God, I'll explain to you at the end of shooting that I'm not this person.

I think sometimes I'm more fond of doing the research for the character because you learn so much. Sometimes shooting is really difficult because you wake up early and you're always hurrying. And sometimes I don't know what I'm doing. I'm here and there.

Think of me as the weathered sheriff coming back into Dodge 'cause the youngsters are shooting up the church and scaring the horses and not doing right by the women.

Every other movie is one of those action things. I mean, 'Lost in Space'? A bunch of good actors running around shooting at special effects on a soundstage? I took my kids to see that and felt like I was on an acid trip.

My great forte in killing buffaloes was to get them circling by riding my horse at the head of the herd and shooting their leaders. Thus the brutes behind were crowded to the left, so that they were soon going round and round.

Without a good cultural policy, without adequate help, we will always have individualists, shooting stars who are rapidly forgotten or who stop painting for a more profitable occupation.

I like going to rifle and pistol clubs and joining them in target shooting. I also share the same respect for individual initiative and love of family.

Well, like any time you're shooting documentary stuff, you've got to be in the moment, and you've got to be able to be in control enough to capture what's happening.

By the first week of shooting, you know exactly where your film is heading based on the psychology of your director.

I'm definitely not drawn to shooting on a stage, I'm just not.

I'm not about trying to be out here fighting and shooting, stabbing and, you know, all that crap, man.

We shot in a place called Asheville, which is like beautiful, beautiful forests. And then part of it we shot all the reaping stuff, which was just crazy - because the reaping in the book and in the script is such an emotional thing for everyone. It really did feel like that when we were shooting it.

I just had my 30th birthday and we went turkey shooting. It's what I wanted to do, so we went.

Perhaps the most difficult thing is shooting scenes set 6,000 feet up in the mountains of Mexico.

It's just about going out and getting the shot, so I have a great understanding of how to execute it, so that really helps me, and also having a good understanding of all the action that I'm shooting, it helps me in determining how I'm going to capture it.

Well, it all depends on how you, you know, perceive the religion angle. I always say to each their own and I'd much rather have a guy that's going to be preaching religion as oppose a guy who's going to be shooting himself in the leg.

I made a big mistake with him the first day I shot. We're shooting the scene where I come back from the party, the dance, in the sleigh with Julie Christie and we turn the corner and go past the camera and the camera follows us just a little bit and we disappear.

You know, episodic TV directing is a very long and arduous job. You have very short schedules, short short shooting days, and you have to get lot of pages done.

I am not interested in shooting new things - I am interested to see things new.

I went across the fields to avoid the straight highways, along the firing lines where people were shooting at a small wooded hill, which is now covered with wooden crosses and lines of graves instead of spring flowers.

They are shooting The Thief Lord in Venice at the moment.

With indies, all they have is their script and it's very important to them. The characters are better drawn, the stories more precise and the experience greater than with studio films where sometimes they fill in the script as they're shooting.