Screen Quotes

I know for me like I have a reputation of being kind of tough, I have a reputation of also being the girl next door, kind of sweet but I have standards and my thing is, it's me on that screen and I don't have control over everything in this and I'm grateful and thankful.

It's an embarrassment of riches because you have directors who don't better. You end up with so much stuff going on the screen that you don't know where to look, and that's what I consider self-indulgent.

I have a computer screen near my seat where I monitor the overall health of the vehicle and pick up any problems that might be occurring early on or once we see any kind of a malfunction or anything unusual that's happening, we can look at the data and figure out what that is.

I think the fact that I'm so well known to be gay makes it very difficult to have a convincing relationship with a woman on screen. It wouldn't be at all difficult for me to kiss a woman - I'll kiss a frog if you like.

It was a show that you played at home and you're saying to the contestant do this and do that. When you at home are involved in yelling at the screen, then you know you've got an audience.

When you want to do your homework, fill out your tax return, or see all the choices for a trip you want to take, you need a full-size screen.

You can still have chemistry on screen without getting on with the person. But it just makes your job a lot easier if you don't have to gird your loins, if that's not quite the right phrase, every time you're going to do a scene with that person.

When we could split the screen, it was like 'Wow!'.

I haven't always been warmly welcomed for holding my conservative positions in Hollywood. Then again, I've never been very good at being politically correct either, on or off screen. So why start now?

I have played Dracula a thousand times on stage and I find I have become thoroughly settled in the technique of the stage and not of the screen.

I seriously object to seeing on the screen what belongs in the bedroom.

A character on screen that's the 'good guy' or the 'bad guy,' they're never interesting. There's got to be an internal struggle, the duality is important to find.

It sure looks good to see an honest-to-goodness audience after looking at you all for so long from the silver screen.

No matter what you do, your person comes through. You can't completely change yourself on the screen. I had in mind someone colder and more in control, but I couldn't do it. This human note just crept in and maybe it's better.

I'm very serious about becoming a dramatic actor. I don't want to play cameo parts walking on as Carl Lewis the athlete. I want to go on stage or screen and be taken seriously.

The next evolutionary step is into the screen.

My show is my statement. What I have to say is on the screen. My life is my own. I don't want to talk about my private self. Why should I?

I just wanted to make sure that what I write is what appears on screen, to not have some idiot change it on its way to the screen.

I was asked to go to Cannes to present Amores Perros. And little did I know that this film would be huge. I saw it for the first time in Cannes, and it was the first time I'd seen myself on such a big screen. And it had a huge impact on me - it was the strangest feeling.

A wide screen just makes a bad film twice as bad.

I put a lot of time and energy and thought behind what I do and the characters that I create, and I don't want to do anything peripheral that is going to make an audience see me up there on the screen rather than who I'm playing.

I'm not sure I agree with the thesis, because I think that even though something grotesque or gross has been part of film since way back, what we accept or what we can get away with on the screen is broader now.

It's because we are so flooded with American culture that we're startled when we see ourselves up there on the screen.

If I am not confident that I can portray the character perfectly on screen, I won't even try.

My movie is born first in my head, dies on paper; is resuscitated by the living persons and real objects I use, which are killed on film but, placed in a certain order and projected on to a screen, come to life again like flowers in water.

When I was 18, I joined the Screen Actors Guild, and after college I came to New York.

How do you explain certain physical qualities that somehow sell on screen? You're born with it... Certain people are just more watchable, and I was more watchable, but I don't think I understood acting or drama very well when I was a kid.

I think music is what takes the experience off the screen into your soul, into your head.

'Green Screen' was a total experiment. I'm glad we did it, but it was just tough on that network to get it going.

A 65-ft.-wide screen and 500 people reacting to the movie, there is nothing like that experience.