Repertory Quotes

I was in the movies. I danced, I sang, I learned to work in front of a camera. It was like being in a repertory company.

I came out of repertory theater, where I worked 50 weeks a year, and I loved working with the people.

I come out of repertory theatre so I've been working under pressure my whole career.

Peter Hall was just organizing the Royal Shakespeare Company. It was going to be an ensemble, it was going to be in repertory, it was going to have a home in London as well as in the Midlands, and all of those things were happening at that time.

Those 25 dancers we worked with for a day, in as highly productive a way as possible - a long class, a period of teaching bits of the repertory - in fact I didn't teach Bank, I've used parts of Oil and Water.

This is an age of specialization, and in such an age the repertory theater is an anachronism, a ludicrous anachronism.

Repertory theater is all about being part of the whole, one of the many colors in this vast palette.

I applied to American Repertory School up at Harvard at got in.

But a large symphony orchestra basically is a repertory company and it has a very enormous repertoire and it is important for the performers to be able to know how to shift focus so that they instantly become part of the sound world that a particular repertoire demands.

I went to a lot of theatre schools, got a lot of training, did a lot of repertory where you do a different play every night. I took a lot of voice, movement, and acting classes.

The sage belongs to the same obsolete repertory as the virtuous maiden and the enlightened monarch.

Then I left school at 16 and worked in Perth Repertory Theatre, which was quite nearby where I lived. And I worked there for about six or seven months, as part of the stage crew.