Records Quotes

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Creatively, I thought we were still viable and could do more records. But our working relationship just wasn't happening at all, and our chemistry as people broke down because of that.

If I never sang on a record again I can still look at my walls. They are covered floor to ceiling with gold and platinum records from all over the world.

When someone picks up one of my songs and records it, I'm a flattered man, it's a blessing to me.

I think you'll do as well as most professionals. Most professionals don't beat the market. Let's not over-rate my industry. But if you have time, you can be in good mutual funds that have good records.

When the OutKast sound changed and I started producing my own records, I would mirror what I thought that character doing that music would look like. As the sound got a little wilder, freakier and funkier, so did the clothes. Then when the sound got more sophisticated, the clothes changed again.

All records are not made to be broken.

But I'd play on everything from pop records to a lot of the glam stuff to rock stuff to classical stuff. I used to get called to do all those things, it was great.

Collecting records is, for many, beyond a hobby.

I never had lessons. Used to try to play to records, which I hated doing. Still can't play to them.

I don't particularly care how many records we sell any more because we've kind of bought all the equipment we want to buy.

Only a certain number of people go to a store over the period of a year. When a person sees my record on the shelf, it eliminates someone else's record from being sold. It's about continuing to try to find new ways to sell records.

I just to put out the best records I can and perform the best I can.

Billy Konchellah with his World Championship titles, Paul Ereng with his Olympic gold and Wilson Kipketer with his World records are my role models.

I feel like that I'm learning all the time. I'm learning from new artists, from established artists... every time I listen to '70s rock 'n' roll records, I'm learning. And I think that I'm just now starting to get a hold on what I do.

I'd always wanted to work in the studio and experiment with sounds. Things that I'm really influenced by and that I love are like The Beatles and Radiohead, and all those records by bands whose music is really involved.

I wanted to be able to talk with people who have trade jobs and make records with them. I want to do more records with carpenters, electricians, people who specialize in even more bizarre trades that are off the beaten path.

To actually put the time and energy into an album that would be better than Pull would be a hell of a lot of work, because I took that band really seriously, way more seriously than people took us. If you go back and listen to the records, you can hear it.

I produce the records. I don't hand over control to some really expensive producer who then talks to the record company and then tries to bend me to their will - for commercial purposes.

Just because people play songs with great technique doesn't mean the records are better.

Once you start collecting records you learn more and more about jazz and blues.

I can't immediately get all this coverage when my record comes out. The way I sell gold and platinum records is by being on the road.

I like records that flow really well and you don't have to skip around because there's lot of different jumps.

The music industry is saying, This is the format, and if you'll fit into this format, you can be on radio, and if radio will play you, MTV will expose you, and MTV will expose you, we'll sell records.

I also hope that with the assistance and expertise of Dome Records, that I will be able to further pierce the UK and European market. I really like playing there and I want to do more! I've found that the audiences get quite involved and really listen to what's happening.

Stevie Wonder's records introduced me to '70s soul when I was 12 or 13.

It's so different now coming out as a new artist today than it was when I came out almost ten years ago. Now, it's all about singles, it's really quick, it's online. I came out when people sold records and they still do today but - I don't know what the key is.

When I think of the artists I admire and seek out musically. It's because I'm curious about where they're going to go the next time they have a chance to put a record out. It's not about where I find them on the radio dial, or how many records they're selling.

So you know, my plan was that I was going to make records, and be a rock star. And that's really what I wanted to do. And I sang from the time I was very young.

First off, I don't want anyone to think I'm this huge thing in Japan. Every group from here that's made any records over any length of time - even indie bands - have a Cheap Trick effect in Japan.