Recording Quotes

People are so into digital recording now they forgot how easy analog recording can be.

I actually think I'm more of a turtle than Verne is. Where Verne is up on two legs and moving at full speed and doesn't pull his head into the shell very often, I in reality was five or ten minutes later to every recording session.

I've just been recording mostly acoustic stuff, drums, and sax, and electric guitar. I'm just still writing songs and what not.

My first recording, a guy came down to Philadelphia and heard me play and he introduced me to Alfred Lion.

When I was recording from '70 to '82, I always played piano and laid the tracks down. But I used to talk to the other musicians while the track was playing.

I didn't really even think of recording under my own name for a long time. I thought, 'I've got the rest of my life to do that.'

What I liked about doing a soundtrack is that it's almost the opposite of any kind of normal recording that a band does, because it's very much a restricted, narrow... And I kind of like that, I find it exciting to work within these things.

I mean there are tons of reasons. Well first of all. I write my own record. I don't take other people's materials. And I have a job which is being Willa Ford on top of getting back in the studio and writing and recording.

I almost never set out to photograph a landscape, nor do I think of my camera as a means of recording a mountain or an animal unless I absolutely need a 'record shot'. My first thought is always of light.

I'm always in that mode - whenever I have a little free time, I'm always recording songs, writing, whatever I gotta do. It's like my job is my vacation.

I'm a performance artist first; I'm a recording artist second.

I think the intelligent thing about it is that you have to carefully listen to it all to grasp it, and because I'm not in every scene - colossal disappointment to everybody that it may be - I'm not getting the full picture here today while recording it.

I've got the recording process down, and I can knock it out very quickly.

Little things can make such a big difference during recording.

I probably had the most fun recording For Richer For Poorer in Nashville.

It varies from song to song, although Buck Owens and I recently collaborated on writing a duet together and am looking forward with a great deal of anticipation to recording that track for the new studio album.

While there used to be one or two Pops orchestras, now there are all kinds of European orchestras that suddenly look upon this as a golden wand that can enable them to make money recording this music.

I'm hoping to become a recording artist and make albums and go on tour.

I have a recording that I did of instrumental songs.

There's a guy at the record company who's 30, and he says, I would not listen to these songs except in this context. Somehow the recording process, the arrangements, make it more accessible.

Each one of us had a little story to tell and each recording was based on that. Lou played all of the music but we both sort of kicked around some cords during the writing phase.

In my cranky old age, I actually prefer recording alone now, on 'The Simpsons,' for example, because I find that the director can just focus on what I'm doing and I can do a lot of variations. A lot of times, when I record with a group, I'll stay after class for another hour or two.

Believe it or not, most people think of me as a recording artist, but actually the way I think of myself and the way I earn my living is as a performing artist.

I've learned that I work best when I'm entirely naked. The recording process was done that way.

After moving to England I did some recording and eventually formed an English band, this was together for quite a few years with only a keyboard replacement. The band had no name, just my name.

I put out a recording of me singing mostly jazz because I wanted people to know I'm coming from a jazz background.

By the time I'm in the studio recording my parody, 10,000 parodies of that song are on YouTube.

A big part of making music is the discovery aspect, is the surprise aspect. That's why I think I'll always love sampling. Because it involves combining the music fandom: collecting, searching, discovering music history, and artifacts of recording that you may not have known existed and you just kind of unlock parts of your brain, you know?

And, you know, I think the original recording of Ravel's Bolero, probably whoever played percussion on that, will never have It played better than that.

I began both auditioning with Pearl Jam and recording for Eleven. In the fall of 1994, I joined Pearl Jam.