Record Quotes

I'm not really getting too involved. My position is, Here's the record. I'm at your disposal.

The record company stay out of my way. Whenever the record is finished, they take it.

So there was something of a learning curve with doing your own thing and people seeing you outside of the band. I mean, people have never really heard my voice before - or heard a whole record of mine before. So it was a completely new experience.

I signal with an independent label, Continuum. After that I put out a totally independent record, sold fourteen thousand of them from my basement, bought a house, started raising my kid, made a decent living.

But as you said, there are going to be those that have no record and cannot be detected in that capacity so that is why you have to have other layers of security.

The human rights record within China seems to rise and fall over time, but it's very clear that in the run up to the 2008 Beijing Olympics and since then, there's been a greater intolerance of dissent and the human rights record of China has been going in the wrong direction.

It is hard, though, 'cos record labels love to boss you around. I won't let them do that anymore.

I am taking a break, but not a huge break because the Maiden record is actually happening right now, and I am recording it as we speak, well not right as we speak, but close.

You work your butt off and somebody says you can't have your record played because it offends them. Tyrants are made of such stuff.

When you have an acoustic bass in the ensemble it really changes the dynamic of the record because it kind of forces everybody to play with a greater degree of sensitivity and nuance because it just has a different kind of tone and spectrum than the electric bass.

The difficult thing about a pop record is that you're given guidelines: it has to have 3 choruses, and then it must be between 3 minutes fifteen seconds and three minutes forty-five seconds.

Any form of a winning record in the conference is an accomplishment.

I missed the final of the World Championships in 2009, but I told the coach I would break the world record in 2010. Which I did. Then in 2011 I won the World Championships and now in 2012 it is the Olympics. That is how I have been working.

I was turning 20 during my first record. Those decade birthdays always kind of cause me, it seems, to reflect, look back, and then look forward. I just was closing this period of my life where I was living in a car and scrambling my whole life to then signing a six-record deal with Atlantic.

Even though we didn't actually record it as the Move I had already written a song called 'Dear Elaine,' which I subsequently put on the Boulders album. I thought at the time that was probably the best song I'd written.

I am never writing a breakup record again, by the way. I'm done with being a bitter witch.

I have never taken more than two weeks to record an album throughout my career.

I spend a lot of time working as a painter and in my studio I go from upstairs where I paint to downstairs where I play and record, so I get this thing crossing over.

I'm really happy that I got to work with such fresh talent. In a day when record companies are not particularly good at encouraging young, talented songwriters to come forward and get exposure, I think it's important to give tomorrow's songwriters the opportunity.

After that initial success, every chance we got we'd hire that remote recording truck and just record stuff at the Whisky because it was so inexpensive.

We were ready to launch Barry White, but the record company wouldn't put it out. Said it wouldn't sell.

I'm really thankful to God, man. Like now, I'm really making a real comeback with my group. With or without a record, with or without a movie. And behind all the negative press behind this movie.

The movie business is very difficult but the music business is just impossible. So I'll play in bands and record and play songs with other people, but for me it's a form of expression that all I need is me. I don't need cameras or agents, I can just have a piano and sing and feel totally verified.

When Kenny first came to me, I think he was thinking of making a nice little folk record, but in my opinion, folk music had come to an end and I felt he needed to go to the next step, the next generation.

With The Key, it was, I had gone through a divorce and losing my father, and just kinda really reminiscing about how much I loved the traditional side of country music, so I made a record that was really traditional from start to finish.

I just have so much love for my record label.

I never excluded any genre on my first record.

As a matter of record, New York City spends a higher portion of its budget on instruction and associated costs within the schools themselves than any of the other 100 largest districts in the nation.

I have been the subject of ridicule. People talk about me and they don't know me and this is an opportunity to tell my story... to have my voice and to set the record straight.

It's been really fun to see with each album when I change to see the fans of the show emulate my style and with the first record a lot of the kids in the crowd were wearing neck ties like I was and now you'll see a lot of girls with pink hair. It's cool, it's actually really neat.