Radio Quotes

The college stations have a big voice, and I would like to become more involved with them. I would like to have symposiums with the members of various college radio stations.

I grew up in New York City in the '80s, and it was the epicenter of hip-hop. There was no Internet. Cable television wasn't as broad. I would listen to the radio, hear cars pass by playing a song, or tape songs off of the radio. At that time, there was such an excitement around hip-hop music.

When I was on the radio, I used to be able to go a lot farther than I can now. You don't really remember until you're on the radio again, sometimes in your old radio station and sitting with the guys you used to work with and you go, 'Oh yeah, I can't say these things anymore. I'm handcuffed.'

Radio is commercial, isn't it. Its a business.

I had two different degrees: One in International Relations/Political Science and another degree in Radio and Television Production.

If it weren't for Philo T. Farnsworth, inventor of television, we'd still be eating frozen radio dinners.

Because the casual music listeners are the ones who turn on the radio and they don't really care what's playing, they just know that they kinda like it or it's easy to drive to or it's easy to sing along to or whatever.

Every weekend he'd have me come down to work on Dragnet, which by now was on television as well as radio.

If ever there was a slamming of the door in the face of constructive investigation, it is the word miracle. To a medieval peasant, a radio would have seemed like a miracle.

We didn't have television until I was about eight years old, so it was either the movies or radio. A lot of radio drama. That was our television, you know. We had to use our imagination. So it was really those two things, and the comics, that I immersed myself in as a child.

I want to do more television and I want to do more radio.

The world is a crazy, beautiful, ugly complicated place, and it keeps moving on from crisis to strangeness to beauty to weirdness to tragedy. The caravan keeps moving on, and the job of the longform writer or filmmaker or radio broadcaster is to stop - is to pause - and when the caravan goes away, that's when this stuff comes.

Every time I listened to Lux Radio Theatre, I wanted to vomit.

My father hated radio and could not wait for television to be invented so he could hate that too.

Somehow you can tell the difference when a song is written just to get on the radio and when what someone does is their whole life. That comes through in Bob Dylan, Paul Simon, Willie Nelson. There is no separating their life from their music.

At least the rap metal stuff is good, but it's not really my bag. I've been listening to the radio since we've been touring the past month, because we don't get it most of the time.

You know, there are not only - all of the networks, and I mean every television news operation and print and radio and magazines, newspapers, all of them, are remiss in the diversity area. I mean, none of these organizations have reached a level of parity.

I love the sounds of Latin jazz, R&B, hip-hop, alternative, all that stuff. I'm a radio kid.

We live in a connected world now. Some find that frightening. If people are downloading our music, they're listening to it. The internet is like radio for us.

I don't mind being interviewed on television or radio.

The reason that conservative talk radio works is because there is an audience for it.

I think good radio often uses the techniques of fiction: characters, scenes, a big urgent emotional question. And as in the best fiction, tone counts for a lot.

I wrote a lot of stuff quickly: pages and pages of notes that seemed pretty incoherent at first. Most of it was taken from the radio because -suddenly being a parent- I'd be confronted by the radio giving a news report every hour of the day.

Before, I was more concerned with getting on the radio, like many young artists.

When I think of the artists I admire and seek out musically. It's because I'm curious about where they're going to go the next time they have a chance to put a record out. It's not about where I find them on the radio dial, or how many records they're selling.

I got to where I couldn't listen to country radio. Country music is supposed to have steel and fiddle. When I hear country music, it should be country.

Radio is the most intimate and socially personal medium in the world.

But in 1941, on December 8th, after the Japanese attacked Pearl Harbor, my mother bought a radio and we listened to the war news. We'd not had a radio up to that time. I was born in 1934, so I was seven years of age.

The future is electronic. It's radio, television and the Internet; it's not really newspapers anymore.

And rather than hide that, I would rather put that out on the radio and let someone see the full range of emotions. If you're going to be strong on the radio, you got to let it all out, even the ugly stuff. And you can't apologize for it.