Poems Quotes

I say that democracy can never prove itself beyond cavil, until it founds and luxuriantly grows its own forms of art, poems, schools, theology, displacing all that exists, or that has been produced anywhere in the past, under opposite influences.

I try to apply colors like words that shape poems, like notes that shape music.

I wish I'd been better able to resist the sense of obligation to write some of the poems I did. It's in the nature of commissioned work to be written too much from the side of your mind that knows what it's doing, which dries up the poetry.

Poems and songs penned as an unstoppable outpouring of the heart take on a life of their own. They transcend the limits of nationality and time as they pass from person to person, from one heart to another.

A lot of young poets today, from what I've heard and experienced, can't get their heads past George W. Bush, and I've heard so many poems about this democracy and this era of politics that I'm kind of bored by it.

Pretty much the day I stopped being laureate, the poems that had been few and far between came back to me, like birds in the evening nesting in a tree.

My brother used to say that I wrote faster than he could read. He wrote two books - of poems - better than all mine put together.

Most victims of my autobiographical verse are either far too polite, remarkably understanding unaware that I have written poems about them.

Almost anything is too much. I am trying in my poems to have the reader be the experiencer. I do not want to be there. It is not even a walk we take together.

I think I'm a very good reader of poetry, but obviously, like everybody, I have a set of criteria for reading poems, and I'm not shy about presenting them, so if people ask for my critical response to a poem, I tell them what works and why, and what doesn't work and why.

Why does one always ask a writer why they stopped? I am sure everyone finds in any drawer a few dear poems.

I'm terrified of switching the computer on because there are so many poems.

I play with language a great deal in my poems, and I enjoy that. I try to condense language, that is, I try to express complicated but I hope real emotions as simply as possible. But that doesn't mean the poems are simple, just that they are as truthful as I can make them.

In a funny way, poems are suited to modern life. They're short, they're intense. Nobody has time to read a 700-page book. People read magazines, and a poem takes less time than an article.

Besides the actual reading in class of many poems, I would suggest you do two things: first, while teaching everything you can and keeping free of it, teach that poetry is a mode of discourse that differs from logical exposition.

A discrete series is a series of terms each of which is empirically derived, each one of which is empirically true. And this is the reason for the fragmentary character of those poems.

'A collected poems' is either a gravestone or a testimonial to survival.

I got $30 from Nation magazine for a poem and $500 for my first book of poems.

I seem to keep returning to my father in poems because his personality was so extreme, so driven. He did everything to excess.

Every so often I find some poems that are too good for the readers of The Atlantic because they are a little too involved with the nature of poetry, as such.

Today the U.S. is farther from being nourished by poetry than it was a hundred years ago, when books of poems were best-sellers.

I learned to play guitar at a young age and converted poems and stuff that I had written to songs.

I would not say I chose to write long poems on a conscious level. The long poem has been a relative constant.

I can't understand these chaps who go round American universities explaining how they write poems: It's like going round explaining how you sleep with your wife.

I invented animals and birds - I had about two dozen. After working on them for six months, I sat down and just for fun wrote two dozen poems to accompany the drawings. It was for no one to every see, but a friend sent me in to an editor.

The only difference between me and others is that they think they can change something with cute little poems, nice cards or embracing trees and being nice to little lapdogs.

I used to carry about with me a German map-case filled with poems.

I am a guest of the French language. My poems in French are born of my interaction with the French language, which is not the same as that of a French poet.

I started off in England and very few people knew I was Australian. I mean, the clues were in the poems, but they didn't read them very carefully, and so for years and years I was considered completely part of the English poetry scene.

Poems seem to have a life of their own. They tell you when enough is enough.