Pictures Quotes

I dream that someday the step between my mind and my finger will no longer be needed. And that simply by blinking my eyes, I shall make pictures. Then, I think, I shall really have become a photographer.

You've got to push yourself harder. You've got to start looking for pictures nobody else could take. You've got to take the tools you have and probe deeper.

Look at pictures of me growing up. It wasn't always the way it is now. It was a bumpy road for me.

I don't think that I'm over his influence but they probably don't look like Picassos; Picasso himself would probably have thrown up looking at my pictures.

This camera works like photosynthesis. It is as if you were Xeroxing your own face. The pictures have such physicality: their surface is like fine leather, stained from chemicals. Each one has a body and is more than an image.

I look at my pictures, and I think, 'Well, how did I do that?'

I was not out to paint beautiful pictures; even painting good pictures was not important to me. I wanted only to help the truth burst forth.

It's a terrible thing to say I know. I've only done what I wanted to do. It's a real luxury. I only made the pictures I wanted to make and lived in the places I've wanted to live. I'm very, very happy.

I think a few pictures at a time.

I sometimes make pictures which are not up to my standard, but then it can only be said of a mediocrity that all his work is up to his standard.

Oddly enough, George Pal always began and ended something with The Bible. All his pictures had a religious undertone. God was always there, protecting us.

Cheyenne Autumn was received not too successfully. I still think it was a very good movie. It was kinda Ford's apology for the way he had treated Indians in his past pictures.

Human behavior in the midst of hardship caught my attention very early on, and my first stories were all pictures, no words.

I try not to be overly literal. When I'm writing songs, I write down a lot of words, and then I try to simplify it. I like to give people hints or words that make visual pictures for them.

On a shelf above my computer are five letters that spell out W-R-I-T-E. Just in case I forget why I'm there. I also have 'Wonder Woman' paraphernalia from when I wrote five issues of the comic, and pictures of my husband and kids.

A half dozen pictures would just about be enough for the life of an artist, for my life.

The cinema is an institution nowadays, with its roots sunk deep in the hearts of the millions of people who find enjoyment and entertainment in going to the pictures.

If you're a basketball player and you don't stop and take pictures with your fans, you can have an amazing game and everyone still loves you.

Most women's pictures are as boring and as formulaic as men's pictures. In place of a car chase or a battle scene, what you get is an extreme closeup of a woman breaking down.

Argumentative exhibitions bring issues to life in a way that very much irritates traditional curators who want to see their pictures valued for themselves.

Entertainment is in art like color in pictures.

I had always been kind of obsessed with making a home of my own and was always drawing rooms that I wanted to live in, down to pictures on the wall and the faces that would be in the photographs, and how the couches would be situated.

Hollywood is where they shoot too many pictures and not enough actors.

I suddenly realized that the fellow who didn't show up was getting about fifty-times more money than I was getting. So I thought, 'this is silly,' and became an actor. I certainly never thought I'd wind up in motion pictures. That was far beyond anything I'd ever dreamed of.

Every artist dips his brush in his own soul, and paints his own nature into his pictures.

My mother had taken me to photographer Paul Hesse, who used some of my pictures on magazine covers.

If I can say one thing for my pictures, it is a certain craftsmanship. A thought which has gone into every angle. There is nothing there without an optical reason.

I never consciously said, 'I want to be an actor.' It sounds stupid, but it's kind of like being a painter or something. You don't say, 'From today on I'm going to be a painter.' It's not something conscious - you've just been painting pictures all your life.

I like to make pictures about people who make a difference.

In the first weeks of the Obama administration, 'bipartisanship' was the reigning buzzword, and when the Beltway thinks 'bipartisan,' it pictures President Reagan and Democratic Speaker of the House Tip O'Neill putting aside their differences and forging a legislative partnership, a ruddy pair of genial patriarchs bonding over the Blarney Stone.