Painting Quotes

Without a good cultural policy, without adequate help, we will always have individualists, shooting stars who are rapidly forgotten or who stop painting for a more profitable occupation.

Easel painting means small painting.

Painting and sculpture are very archaic forms. It's the only thing left in our industrial society where an individual alone can make something with not just his own hands, but brains, imagination, heart maybe.

I think when somebody's painting they don't necessarily... I'm not illustrating what I know. I'm mapping out, like topographically, some terrain I am satisfied with, how awkward that mark is.

Being in the studio is like painting, you know, you can really take your time, and try different things, and kind of go deep into it.

I'm not so facile that I can accomplish or find out what I want to know or explore enough of the possibilities and a way of making a painting, say, in just one painting or two paintings.

Painting is the aesthetic side of the object but it has never been original, has never been its own goal.

The dog, the rabbit and the hoop all feature in the painting, and take the place of the orrery.

The worlds I paint leave a lot to engage the imagination by hinting at what lies beyond the four edges of the painting. I think getting beyond the four edges of an opportunity or challenge is one of the basic skills you need in business.

Simultaneous contrast is not just a curious optical phenomenon - it is the very heart of painting.

Painting is the passage from the chaos of the emotions to the order of the possible.

A painting that is well composed is half finished.

And I like the idea of change. Because I don't see why we should hang a painting on the wall and then just not think of it anymore because it's there like a piece of furniture.

This kind of painting with its large frames is a bourgeois drawing-room art. It is an art dealer's art-and that came in after the civil wars following the French Revolution.

It wouldn't be right for me to clown around when I'm painting a president.

When we don't have information, we go to the simplest outlook, to black and white. But then we have to lie to ourselves. Black is never as black as you're painting it and white is never as white.

I wanted to make these people real, not like they were in a painting. Like these are people who don't know they're in a period movie. Those concerns are incredibly immediate.

I love painting and music, of course. I don't know nearly as much about them as I know about poetry. I've certainly been influenced by fiction. I was overwhelmed by War and Peace when I read it, and I didn't read it until I was in my late 20s.

Many of the articles printed over the last few months have ended up painting a picture of me that is more than a little distorted.

My only worry is the painting I'm doing. Nothing else.

Painting, n.: The art of protecting flat surfaces from the weather, and exposing them to the critic.

I believe that painting should come through the avenues of meditation rather than the canals of action.

I'm trying to get every man involved in art, into experimental music, or painting, or novel-writing.

You know, painting has given me a lot of freedom, because for some reason, I've been able to paint things, organize things in a way that I see that don't have any buffers or compromises in them.

I no longer worry whether a painting is about something or not. I am only concerned with the expectation, from a flat surface, of an illusion.

I'm compelled to paint nearly every day. I just felt like making a painting, went out and bought paints and a canvas. Now it fulfills me creatively when I'm not doing music: it's something you can do by yourself and it's totally yours. It's a great adjunct to my life.

In my world, history comes down to language and art. No one cares much about what battles were fought, who won them and who lost them - unless there is a painting, a play, a song or a poem that speaks of the event.

Painting's not important. The important thing is keeping busy.

I have never subscribed to the Dirty Pallet school of painting.

I never know what it's going to look like. Wouldn't be much point in painting if I already knew the outcome. I have a subject in front of me and I start flooding colour and making marks, I don't know, it's improvisation isn't it?