New Quotes

But I did an awful lot of work in Hollywood, and in New York for that matter.

I mean, The New York Times actually had an interesting case recently where they described a detainee who was afraid of the dark, and so he was purposely kept very much in the dark.

I know that New York City remains the highest density urban area in the country and by far dedicates more of its own funds to fighting terrorism than any other municipality.

Does the New York City Ballet affect other places? Yeah, it lets people know they should come to New York.

I mean New York City is the financial capital of the world. It's where all the money passes through, the Dow Jones, whatever, that's where all the money goes.

Because our daughters have school and it's just such a hassle going down to New York all the time, we can really only go on the weekends, we kind of... Steve came up here and worked out stuff for the second half of the record.

All the New York City Ballet does is hit beautiful home runs.

And it is always Easter Sunday at the New York City Ballet. It is always coming back to life. Not even coming back to life - it lives in the constant present.

And what would be great numbers in a Broadway show are now on stage of the New York City Ballet.

Everybody in New York is looking for something. Once in a while, somebody finds it.

However, the moral center of New York City, I believe, is the New York City Ballet.

I think of the New York City Ballet as the Yankees without George Steinbrenner.

I think that every year that the New York City Ballet is alive is worthy of celebration. Because otherwise the terrible thing is just that we take it for granted.

The life of a dancer is tragically short. What is remarkable about the New York City Ballet is that it makes us forget that. Because it keeps the ballet alive.

The New York City Ballet is always about the realm of possibilities, the realm of what the human body can do, what the human spirit can do. And it's about listening, it's about listening to remarkable music and how we respond to that.

I love New York. It's one of my favorite cities.

I sat in at every club in New York City, jamming with musicians, because it felt right - and because it felt right and we were having fun - the people dancing and sipping their drinks in the clubs felt it too and it made them smile.

My family moved to Buffalo, New York in 1940 where I was raised.

At 18 I began painting steadily fulltime and at age 20 had my first New York show at the Macbeth Gallery.

One belongs to New York instantly. One belongs to it as much in five minutes as in five years.

Not even the most powerful organs of the press, including Time, Newsweek, and The New York Times, can discover a new artist or certify his work and make it stick. They can only bring you the scores.

If you want to be in the automotive business, you go to Detroit, and you figure it out. If you want to be in entertainment, go to where it's at. Go to Hollywood, go to New York.

New York is the meeting place of the peoples, the only city where you can hardly find a typical American.

I never really considered acting as a career until I moved to New York.

I got Sonny up to Harlem, and we started street playin' in New York. We did that for three or four years and survived. We brought it back to the streets again.

I live in New York and I was only there for 2 weeks all last year.

Being Puerto Rican, born and raised on the streets of New York, you go, 'Wow, you're still friends with your ex, man? Really? That's weird.' I don't play that.

If I look at it, it's about being able to get lost in New York, to explore the city, to have more personal stories about New York, although some could also take place in Paris.

I'm very attached to Paris because I have a base there and am also recording there, but New York is home to me when I'm in the U.S., because it's nice to have a bed to go back to.

I spend a lot of time writing in New York.