Musicians Quotes

I live in Topanga Canyon, which is like a faux-rustic enclave in Los Angeles. I love the sounds of all the critters outside - the frogs, owls, crickets, and birds. Some of the birds around here are pretty accomplished musicians. You can learn a lot from them.

The thrill of hearing your own voice recorded is still there, I still love it, going into the studio and thinking how can I sing this song and between the producers and the musicians you find a way of doing it.

It's a radical time for musicians, a really revolutionary time, and I believe revolutions like Napster are a lot more fun than cash, which by the way we don't have at major labels anyway, so we might as well get with it and get in the game.

The people in Japan know more about the history of jazz and the musicians than the people in the United States do.

The Doors were never that good as musicians.

I came together with younger musicians and tried to pass on my own experiences. In the process, I always tried to maintain my curiosity and spontaneity.

Serious musicians are finding it harder and harder to have a voice in the world of music these days.

I would love to do a serious period drama. Oh, absolutely. I mean, you'll find most comedians want to do more serious stuff, most musicians want to be comedians, and most serious actors want to be musicians.

I claimed identity as Jewish musicians for political reasons, because most of us were touring in Germany and, at this time, twelve years ago, there was a strong resurgence of Nazism in the places we were touring and part of that was on the music scene.

A lot of my friends are struggling musicians. Being a struggling actor, it's just frustrating because you're not allowed to do what you want to do.

After the war, once the bop revolution had taken hold, there were all kinds of young musicians, talented young musicians, who were ready for this fusion of classical and jazz.

There's a reason I moved to NYC, and if I listed all the musicians on my list you'd grow weary.

From the time I moved to San Francisco in 1967 to play with the Steve Miller Band, there was a lot of support in the music community for one cause or another, but this one was special because it was put on by people who understood where musicians' hearts are.

Great musicians accept everything that they hear and find something good. They take what they like and they throw away what they don't like.

Well I'm a third-generation musician. My Grandfather's a musician and my father and mother were both musicians and so I'm a musician. It was just natural that I should be a musician 'cause I was born into the family.

The best rock musicians are the most exciting people in the world.

The art music of the West has developed through out its history by means of individual geniuses, and out of the soil supporting them; non-Western musicians were born, and grew like the grasses of the field.

The point is, technology has empowered so many musicians, you know?

We're musicians. We make music for a living. It's that simple. Nothing else matters.

We're all players and musicians and we sure all get along good. We just clicked right off the bat. We started playing and then we almost immediately started recording.

I'm glad about what's happening to the music business. This last crop of people we had in the 90s, who are going away now, they didn't like music. They didn't trust musicians. They wanted something else from it.

The public is usually slow to catch on to new things, and it's important that musicians stick to their guns and not look for that instant gratification.

I am constantly being told that I have been a big influence for many people, including other musicians.

Well, remember that we were all members of the Association for the Advancement of Creative Musicians.

I think that musicians should never forget about the intimacy of bringing two people together, and the aesthetic transference where you're almost vicariously involved in a romance between other people.

The wise musicians are those who play what they can master.

Since I started composing I have always worked with series of tempos, even superimposed the music of different groups of musicians, of singers, instrumentalists who play and sing in different tempos simultaneously and then meet every now and then in the same tempo.

When I heard Monk in person in 1955, he was playing with a quartet in a small club. The place was full of musicians, but there was no public at all.

When I was 17, I worked in a mentoring program in Harlem designed to improve the community. That's when I first gained an appreciation of the Harlem Renaissance, a time when African-Americans rose to prominence in American culture. For the first time, they were taken seriously as artists, musicians, writers, athletes, and as political thinkers.

There's a lot of good musicians who are unheard of. Get it down before they pass away.