Movies Quotes

I used this line to demonstrate how important colors are in movies: It's not a caprice.

In live action movies, you just hope that everything works. Because the actor may had a bad morning and doesn't play good, or accidents happen continuously. Many things contradict what you are trying to say. But in cartoons, nothing contradict what you want to say.

I don't really make movies because I want to see my face on a billboard or because I want to get good reviews or have a big box office. That doesn't really matter to me at all.

I tried so hard with movies like Vertigo and Middle of the Night and others. I felt those would show me that it's only a matter of time before I'd find the right one to reach out and touch people.

I find that when you see somebody in the tabloids all the time, you have no desire to see them in movies.

I choose movies, I never choose roles. I look at the script. I look at the director. I look at the other actors - and then the role.

I always felt that if I made a movie, it would be one movie; I didn't see how they could make 26 swimming movies.

I think it's better to be involved in one or two movies a year.

I think we grew up thinking that the funniest things on TV were the old, serious movies. I always liked the Marx Brothers, but the thing that always made us laugh were movies like Zero Hour. That's what inspired us.

In life, single women are the most vulnerable adults. In movies, they are given imaginary power.

I love all of his movies. I love all his movies. I love Tom.

I've made movies that cost less than one car chase.

Adding sound to movies would be like putting lipstick on the Venus de Milo.

I definitely want to do movies and stuff.

Movies are usually difficult, often insane, constantly challenging and always strangely amusing to make.

My passion is doing movies, so as long as I keep doing that I will be happy.

Rave music sounds like an electronic disco version of '30s Universal monster movies.

I think it's more interesting to see people who don't feel appropriately. I relate to that, because sometimes I don't feel anything at all for things I'm supposed to, and other times I feel too much. It's not always like it is in the movies.

Film spectators are quiet vampires.

Analyses of the movie marketplace points to an interesting phenomenon: High-profile movies are continuing to do well year-to-year in the U.S. and overseas - this past summer, for example, the top 10 movies registered at the same level as in '04.

When you make the kind of movies I make, you get weird letters from people.

You know, my movies are important on an economic basis, on an artistic basis.

There are a lot of movies I'd like to throw away. That's not to say that I went in with that attitude. Any film I ever started, I went in with all the hope and best intentions in the world, but some films just don't work.

I remember being a kid and sleeping over at my friend's house and staying up late and watching 'Nosferatu.' Vampire movies are supposed to be secret and bad. They should be rated R.

I like doing movies that relate to people's experience.

A lot of people just go to movies that feed into their preexisting and not so noble needs and desires: They just go to action pictures, and things like that.

The movies have got more corporate, they're making fewer movies in general, and those they are making are all $200-$300m tent-pole releases that eat up all the oxygen.

Back in the '70s, like one of my favorite movies ever was 'The Bad News Bears', and that was a kids' movie, but I don't think of it that way. I think of it as just a great movie because Walter Matthau was so funny and so harsh with those kids.

Yeah, I mean the material, directors, the other cast, and if you think you can do something with the character then you do it and go from there. I am looking forward to doing some smaller movies.

I'm home schooled, and I have a teacher that goes with me on all my movies.