Movie Quotes

I watched Someone to Watch Over Me the other night. I thought it was a really good movie. It's a great movie.

I never wanted to be an actor. I never want to be an actor. I want to be a movie star. The whole idea of having to act is too gruesome. It's too ambitious for me.

I like travelling and if I have to come to Hollywood to make a movie I will, but otherwise I'd never move there. It's very much an industry town and that doesn't really interest me.

I've never done an improvised movie as a fictitious character. I think that's the challenge.

To be happy, to make other people happy, to get into movie production more and probably to give some other people the chances that I had, to carry on enjoying being a mum and never to stop having flowers bought for me. I've still got a long way to go.

I hadn't made a big-budget film, and in Hollywood there's a sort of man and boys situation. You're a man, you make $80 million movies! As if it's harder to make an $80 million movie. Well, I guess businesswise it is because you have more executives to argue with.

Los Angeles has the greatest concentration of surviving movie palaces in the United States, yet most residents have never been inside one of them.

I look at decisions like - it's like an Indiana Jones movie. The guy comes to a rope ladder, and he's being chased. There's uncertainty on the other side, but he knows when he gets to the other side, he's going to take his machete and cut the rope ladder behind him. He has no retreat.

I have a daughter who's 11 years old. Maybe she'll grow up independent and really really heavy and become a movie star and she'll play me in my life story.

When I see a movie with someone it's kind of uncomfortable.

Hopefully this movie will help people understand that if a child is never given the tools to know how to love others and love and respect themselves, this is what happens.

When I shoot I'll take my family with me - one movie a year and then the rest of the time at home.

You are always hoping that movie audiences are interested in characters and interested in story values rather than just mindless special effects. But you never know.

Like Godfather, you look at a movie like that, or something that James Gray has directed, a film with minimal or pin lighting as opposed to everything being lit bright and flat, where everything is evident.

Originally, 'Popular' was going to be a movie.

It's always tough for me to make a movie, and then sit on an airplane and watch somebody watch it on their phone.

I wrote that song for my wife, and it's what some guy who's sitting under a tree would be singing to the woman of his life, telling her how wonderful she is. To me, that's more lasting than something that sounds like it belongs on a movie soundtrack.

When we talk about Oscars, it's almost as a symbol of excellence, and the American public and the worldwide public accept that symbol. So, a movie like 'The Artist' that costs $14 million, has to go out and compete with movies that cost $140 million. How does David deal with Goliath?

I guess what's most surprised me in most of the reviews is that they don't seem to get the noir story in the dream sequence, so they analyze it like a straight noir movie.

I'm always very scared when I start a movie because I never know if I'm going to be able to do a good job or do a very bad job.

We are always acting on what has just finished happening. It happened at least 1/30th of a second ago. We think we're in the present, but we aren't. The present we know is only a movie of the past.

What if Woody Allen called me and said, I'm working on this movie and there's a really divine role for you. We want exactly you! It would be such a fantasy. Forget it! My idol, Woody Allen!

One of the best animated films I've seen come out of Disney was the Tarzan movie. I wasn't crazy about the story or the design on Tarzan's face, but the traditional animation was spectacular.

The joy of acting for me is to be able to experience emotions in a safe environment. You can't scream and cry in the street because everybody will look. If you do it on a movie set, you get applauded.

I lose tons of stuff on the cutting room floor. For Scary Movie 3, for example, we had a lot of Matrix spoofs, a Hulk scene, and some of that stuff just doesn't hold up - it's too much plot, audiences just didn't want to hear about it.

In Torch Song, I did that character almost non-stop from 1978 until I made the movie in 1987. Then I had some failure, which also colors how you react to doing other things.

I'm envious of actors. You shoot a movie or you do a season of 'Big Love,' and then you're on hiatus and you have a bunch of free time.

Princess Rose should indeed be a TV movie, assuming something doesn't go wrong. I don't know how good a movie it will be, because the way movie folk think is different from the way writers think, and I distrust what isn't done my way. This is what I call a healthy paranoia.

Long Kiss Goodnight has a huge cult following. They could make another version of that movie right now and make a lot of money.

All you need for a movie is a gun and a girl.