Melody Quotes

I get like a melody that comes up and I try to write it down or record it. Hum it into a tape recorder or write it down on some manuscript paper. It could happen at any time, on the road or off the road, but mostly, you know, at home.

I really love things with melody.

I don't really have time to sit down and write. But when I think of a melody, I call up my answering machine and sing it, so I won't forget it.

It's a combination of melody and lyrics, not one without the other. It's a confluence of these different elements that makes something powerful.

I consider music to be storytelling, melody and rhythm. A lot of hip-hop has broken music down. There are no instruments and no songwriting. So you're left with just storytelling and rhythm. And the storytelling can be so braggadocious, you're just left with rhythm.

We started very slow in America. It was small acoustic shows. We played places like Los Angeles, New York and Chicago and everywhere there has been a great reaction. It has been really lovely. They listen to the lyrics and the melody over there and the reaction has been fantastic.

I would go visit my mom on Sundays, and my brother was working on stuff. I'd go in there and sing a little melody, then we started working with words and the next thing you know it was just born organically without really trying.

Music is the melody whose text is the world.

By giving the public a rich and full melody, distinctly arranged and well played, all the time creating new tone colors and patterns, I feel we have a better chance of being successful. I want a kick to my band, but I don't want the rhythm to hog the spotlight.

We knew that we wanted to play heavy music but I hadn't gotten into melody and things like that.

I write a lot of music in my time off and I compose most of the songs on guitar. I've actually gone into the studio and recorded a few things, but it's tough trying to sell a song. It's all about finding that hook, that melody.

Melody is a form of remembrance. It must have a quality of inevitability in our ears.

As long as I can say what it is that I need to say, then I'll fit whatever I'm trying to say around a melody.

Sometimes songwriters and singers forget that. They get a melody in their head and the notes will take precedence, so that they wind up forcing a word onto a melody. It doesn't ring true.

Jazz took too much discipline. You have to come in at the right place, which is different than me singing the blues, where I can sing, 'Oh, baby,' if there's a pause in the melody. With jazz, you better leave that space open, or put in something real cool.

The heart of the melody can never be put down on paper.

In some types of music I'm working out all the chords one bar at a time - the whole structure, because it's about that. And there are other pieces which are really about - okay, the melody is going to start here and play through to here.

A lot of rap songs don't usually have a lot of melody per se.

If you're going to start with melody you'll need some tympani, I think.

There's two facets to writing a song. There's you sitting in your room writing the sentiments of the song; the lyrics, the melody and the changes, and then there's the part where you go into the studio and you put clothing on it.

The musicians recommend that I sing a sing the way it is written the first time and then start to look for other notes that aren't in the melody.

We cling nervously to the melody, but we don't handle it freely, we don't really make anything new out of it, we merely overload it.

The world is never quiet, even its silence eternally resounds with the same notes, in vibrations which escape our ears. As for those that we perceive, they carry sounds to us, occasionally a chord, never a melody.

A lot of Woody Guthrie's songs were taken from other songs. He would rework the melody and lyrics, and all of a sudden it was a Woody Guthrie song.

The composition of a single melody is born out of a bit of text, perhaps the first line, but it can also be the entire strophe; it can even be the poem's overall form.

Ever since I was a child I've always been very attracted to melodies. Whether I hear Jeff Beck, a choir, an ocean or the wind, there's always a melody in there.

So, essentially my contribution was to introduce repetition into Western music as the main ingredient without any melody over it, without anything just repeated patterns, musical patterns.

In Hungary all native music, in its origin, is divided naturally into melody destined for song or melody for the dance.

One of the dumber things my manager said was, Stick to the melody. But I can't.

Never be ashamed to write a melody that people remember.