Live Quotes

You're here to sweat. This program is live. There's about one thousand million people watching you. So, you remember - one wrong word, one foolish gesture and your whole career could go down in flames. Hold that thought and have a nice night.

The real key is to live in an environment where the mind feels free to choose the right thing instead of being compelled by habit and inertia to choose the wrong thing.

I am not bound to win, but I am bound to be true. I am not bound to succeed, but I am bound to live by the light that I have. I must stand with anybody that stands right, and stand with him while he is right, and part with him when he goes wrong.

To live a life that is wrong for you is a form of dying. There are people who have lives that look perfect. They try to be happy, they believe they should be happy, they are trying to like it, but if it's off course from their north star, they aren't satisfied.

To live a creative life, we must lose our fear of being wrong.

I personally don't like to use as many effects because when you play live, something always goes wrong.

I really live a simple life and don't need very much to feel good and happy. Don't get me wrong; I believe you should get what you earn. Sometimes you have to fight for it.

There's something about a divorce in that even if your parents still love you, the fact that they can't live with each other makes you feel there's something wrong with you.

I try to live my life where I end up at a point where I have no regrets. So I try to choose the road that I have the most passion on because then you can never really blame yourself for making the wrong choices. You can always say you're following your passion.

When people are in love, I don't see anything wrong with it in the world. If they choose to live their lives and get married, why should we interfere? A lot of people don't agree with me, but that's how I feel.

I think it's something that needs to be said - that there are interracial marriages out there, and the couples live happy lives, and there's nothing wrong with it.

I kept looking to do songs that were written years ago and would live or outlive all of us, and the one thing they had in common was Sinatra.

It is distressing to me that we live in an age in which we still must fight to protect our civil rights as Americans, in which a hate crime perpetrated against someone based their sexual orientation can go unpunished, and in which discrimination is being written into our laws.

If I live for another ten years I shall probably have written all that I want to write.

For a man who no longer has a homeland, writing becomes a place to live.

For me, life is writing and I can do it anywhere. It doesn't matter where I am. I listen. I write. I live.

Before I became a writer, I was running a jazz bar in the center of Tokyo, which means that I worked in filthy air all the time late into the night. I was very excited when I started making a living out of my writing, and I decided, 'I will live in nothing but an absolutely healthy way.'

TV is the place for writers to live. This is where you have creative control and you're constantly writing. 'Twilight' had almost a TV schedule to it. I was constantly working on these projects. There was not a whole lot of lull but I've gone onto other feature projects that's like, 'Okay, I'll get back to you on notes.'

I suppose more than anything, it's the way of life in this part of the country that influences my writing. In Eastern North Carolina, with the exception of Wilmington, most people live in small towns.

You shouldn't even be writing this story if you haven't heard me play live. You can't write with the passion you receive until you see a Dick Dale concert.

People spend a lifetime thinking about how they would really like to live. I asked my friends and no one seems to know very clearly. To me it's very clear now. I wish my life could have been like the years when I was writing 'Love in the Time of Cholera.'

My history is really playing live - not writing or recording.

There's something really nice about writing something on Wednesday and watching it being performed live for a studio audience on Tuesday. You never really get that with novels.

The writer can choose what he writes about but he cannot choose what he is able to make live.

My father, if anything, first and last, was a man of words. He loved stories; he didn't live for stories, exactly, but I think he lived through stories. I think, like many writers, he loved stories about things he had experienced as much as, if not more than, he loved the experiences themselves.

I don't think that there are very many good writers who don't live without a sense of tension. If they haven't got one immediately available to them, then they usually manage to manufacture it in their private lives.

Well, certainly I don't think that there are very many good writers who don't live without a sense of tension. If they haven't got one immediately available to them, then they usually manage to manufacture it in their private lives.

I didn't know writers could be real live people, because I never knew any writers.

American writers ought to stand and live in the margins, and be more dangerous.

Live action writers will give you a structure, but who the hell is talking about structure? Animation is closer to jazz than some kind of classical stage structure.