Little Quotes

Some Kentucky fans are a little more subdued.

Animals are stylized characters in a kind of old saga - stylized because even the most acute of them have little leeway as they play out their parts.

So many people think they need to have serious equipment. In the magazines and the media, they see all this stylish stuff, especially on TV, and they think, That's what I need to make it work. You don't. I'm attempting a little bit of liberation here.

When I am in form, my style is a little bit stubborn, almost brutal. Sometimes I feel a great spirit of fight which drives me on.

A little bit of this, a little bit of that. I never had any specific style.

I tend to not only read reviews, but also every little stupid thing online. It's a very bad idea, and there's a lot of angry people in the world. And it's weird to absorb all that weirdness.

I have long known that it is part of God's plan for me to spend a little time with each of the most stupid people on earth.

I mean people just have a way of - y'know they'll review your record in two sentences and put you in this little stupid box that you don't want to be in.

I just think that people take me a little more seriously as a brunette. I don't know if that's just because of a societal preconceived notion that all blondes are stupid, but it's a different kind of attitude.

When I research a role it does get a little crazy and maybe even a little stupid.

And maybe I'm a little smarter now than I was before for all the stupid things I've done.

First, there was 2 Stupid Dogs. Then, Dexter's Laboratory. And now, Powerpuff Girls. There were a lot of little things in between, but those were the main ones.

I don't particularly like being angry about stuff. I'd rather hang out with my daughter and write my little books.

It's not just the small-potatoes post-9/11 Homeland spending that feels a little off mission. It's the big-ticket stuff too.

I read a whole bunch of bits and pieces over the years, obviously from the fan magazines and the rest of the stuff, and I just wanted to give a little more insight into what's happening in my personal life.

When I was little it was a great time for film-making, with stuff like Mike Nichols' 'Silkwood.' The films you see in that pre-secondary-school stage stay with you in a very particular way.

I'm always trying to do stuff I haven't done before or challenge myself so I'm not resting on my laurels all of the time because if I just found my little niche and never left it, I'd be pretty boring, I think.

It's more fun having him as everyman in the 25th Century. It is better to concentrate on what this planet will be like 500 years from now, and not be dealing with little aliens in space and all that related stuff.

You have to study a great deal to know a little.

I have learned as much in the last three years as in any other comparable period of my life, but with an added realisation of how little over a half century of study one has in fact managed to learn of the whole range of economic policy issues.

We were the finest. We were the best in the world. We were a department that people came from all over the world to study, to look at, to see how we accomplished so much with so little; and we did.

I don't like recording studios - except my own, which is just a little room above the garage.

All studio movies are the middle of the Bell curve. The only way to do something is to do it yourself. And the only way to do that is to not take any money from anyone or take as little money as possible from anyone and that's it.

I've never done a big studio film, I've only ever done little ones.

I'm a little more comfortable in that role. I love being in the studio.

My big sister Melissa, is such a stud and my little sister Suzanna, has always had a perfect body and big blue eyes. We were a force.

Beijing didn't go the way I planned and I would have liked to have performed a little bit better personally. After Beijing that is what stuck in my mind. I want a better Olympic finish.

The pigs stuck out their little feet and snored.

If you make a film normally it's all right, the distributors are helpful and cooperative. But if you make a film that's a little stange, a little bizarre, then all the time it's a struggle with them.

There's a constant flow of child actors. It's kind of funny to watch the new crew come through. I think, You poor little things. You're going to have to struggle for a long time.