After working with Ligeti I began to hear Brahms and Beethoven differently. Esa-Pekka Salonen
After working with Ligeti I began to hear Brahms and Beethoven differently.
This continuity of sound and form was something that I became really interested in from working with Ligeti. He was always going on about how form has to be continuous. Esa-Pekka Salonen
This continuity of sound and form was something that I became really interested in from working with Ligeti. He was always going on about how form has to be continuous.
You need three or five hands to play Ligeti. Alfred Brendel
You need three or five hands to play Ligeti.
