Jane Quotes

I do want to write about Jane Whitefield again, but only when I have a good enough idea - something I've figured out about her that's news and that's worth a reader's time.

I've done my share of period stuff. I'm not sure why, but people say I have a period face. The bread and butter of British TV is Jane Austen adaptations and bridges and bonnets and boats and horses.

I feel that Jane's is really a vibe and a time. It wasn't like we were the Beatles. We didn't have crafty pop songs where it sort of didn't matter who played them because they're just really great songs.

When Jane and I spoke out, people thought, What ungrateful children those two kids are to be that nasty about their father.

We were marching since we were babies and all we did was make Jane Fonda famous.

I was the Jane Roe of Roe vs. Wade, but Jane Roe has been laid to rest.

It was a good experience working with Roger Vadim and Jane Fonda.

Jane's Addiction has only put out new music when our hearts were in and when we had something to say creatively.

I do hope to bring Jane Whitefield back before too long.

Jane Austen is the pinnacle to which all other authors aspire.

I'm like Jane Austen - I work on the corner of the dining table.

I was really glad to meet Jane Clark because it did give me an insight. I couldn't imagine what kind of woman she was. I was hugely impressed by her energy, straightforward nature and enthusiasm for life.

I would even go to Washington, which is saying something for me, just to glimpse Jane Q. Public, being sworn in as the first female president of the United States, while her husband holds the Bible and wears a silly pill box hat and matching coat.

I'd just as soon not get into a discussion about Jane and her politics. I'd just as soon stick to what we're here for, the picture.

I kinda go for the Jane Eyre type of film. I am fascinated by classics.

I know in my soul when something feels like a sell out and I think for me, I knew that if I did the Jane's Addiction reunion thing, that I would feel like a sell out. That's how it would feel to me.

That's it. With equal parts regret and relief, the Jane's Addiction experiment is at an end.

I'll leave the swearing to the Jane Fondas.

Their spirits and their visions are embodied in their craft. And so is mine. It's not Jane Saw Puff. But the clarity of Jane Saw Puff is precious to me.

I was born and brought up in Liverpool with my clever little sister Jemma, who is 14 and wants to be a vet. My mum Jane is an administrator and my dad Peter is a taxi driver.

I did a cover for 'Rolling Stone' the other day and it was a kind of crazy lack of outfit. I thought, 'Oh, Lord. I'm never going to be Jane Austen in a film now!' 'Cause that's what I'd really like to do.

The best time I ever had with Joan Crawford was when I pushed her down the stairs in Whatever Happened to Baby Jane?

We asked Jane Fonda if she would like to meet American pilots in Hanoi, but she refused, she didn't want to.

I keep all my clothes on in House on Haunted Hill, Mary Jane's Last Dance, and The Way of the Gun.

Jane Austen was an extraordinary woman; to actually be able to survive as a novelist in those days - unmarried - was just unheard of.

You can be interested in a Jane Smiley novel whether or not anyone says a word. She enters into her characters' thoughts with great understanding and depth.

I write contemporary rock with Jane's. And I also write house music with people like Kascade.

I feel it's like being a kid and dressing up, because that's what Baby Jane is.

Jane Austen is at the end of the line that begins with Samuel Richardson, which takes wonder and magic out of the novel, treats not the past but the present.

I could never understand the attraction of Bette Davis. I always preferred Jane Russell.