Interviews Quotes

I'm one of those people who fiercely guards their privacy, so I hate doing interviews.

I think half the battle is just being comfortable in front of the camera - and I already am, doing so many videos and interviews, so then it just takes that extra step of trying to get into character.

I don't feel comfortable doing interviews. My profession is music, and writing songs. That's what I do. I like to do it, but I hate to talk about it.

They think my life is glamourous. It's not true. I obviously get to come in and do radio interviews. That's the glamour. But other than that, I eat and sleep and that's it. Eat, sleep and do shows.

It's strange for my friends when they see me on TV and in magazines, because the person that they see doing interviews and pictures on the red carpet is not the person that they know.

Honestly we never lied to people about who we were. Usually the wackier interviews came to pass because the interview subjects, aware that we were Comedy Central, just wanted to get their stories out.

There is this stereotype of Icelanders all believing in spirits, and I've played up to that a bit in interviews.

In the United States, it's the mandate of the FBI to gather information relating to terrorism, go out and collect it, to do the interviews, to do the investigative work.

I treat the photograph as a work of great complexity in which you can find drama. Add to that a careful composition of landscapes, live photography, the right music and interviews with people, and it becomes a style.

I go on giving interviews because I've been brought up to support the projects I'm involved in. When you've enjoyed working on a production, you want to do them a favour.

One of the things that's clear to me from interviews that I've read is that the more popular successful jazz musicians had audiences above and beyond the music community.

I often conduct interviews in my truck.

God, why do I give interviews to 'the Guardian'? They always try to dissect you, and I don't really think about stuff in the way that you're asking me these questions.

That's the thing about interviews, at some point you're going to change your mind. But it's there forever and you can't escape it.

This brought on the news media, TV crews, interviews, and numerous public appearances.

I wanted to be the perfect artist. I'd do three hours of media interviews a day, going to every radio station I could squeeze in. I'd sign autographs after the show until everybody left.

People always think I hate doing interviews. I don't. I wouldn't do them if I didn't like them.

It's impossible to always get across what I'm trying to say, but, if I just stay honest, then I'm not going to look back on any of these interviews and wonder what I was trying to do or be.

If you watch Olivier's interviews, he has this reptilian tongue; it seems too big for his mouth. My pursuit of that became distracting, so I let it go. The thrill was finding the right pair of glasses.

I used to do a lot of interviews in the early '80s, when my career started, but it came to a point when I decided I didn't want to talk anymore, and people kind of understood that and left me alone.

I love doing interviews that are about work that I do, films that I make. I am not very interested in the rest. I think I have always been quite reserved and a bit frightened of that whole thing.

I have to laugh internally when I'm asked in interviews what nightspots I like to hit. I just don't have answers... so sometimes I make them up.

Barry seems to be more flamboyant merely because he gets more interviews to talk about it.

I've had so many interviews where the last question is, Are you gay? I had to find very creative ways to say that I was gay, but that I wasn't going to talk about it.

Vicodin, I got addicted to that little pill. The reason I don't talk about it too much in the press is because it isn't funny, and I love to be funny in interviews. If you joke about that period in your life, it doesn't seem right.

I knew nothing about film at all. I suppose the biggest surprise is all these things. In the theatre we sort of do, I might do two or three key interviews and that would be it.

You should never rely on interviews with musicians as being factual. Most of them are mangled and even have made up stuff in them, that is to say, made up stuff by the writer or editor.

I think people enjoy reading about money, but the people who are in charge of giving me guidance tell me not to talk about it in interviews. Why not? That's what everybody thinks about.

I think people are used to seeing actors be wide open and desperately giving of themselves, and while I do that on a movie set as much as I can, it's so unnatural for me to do it on television, in interviews, in anything like that. I also don't find that my process as an actor is really anyone else's business.

Several of the actors I've had the good fortune of working with stand out in my mind as 'ultimate'. I guess the obvious would be Tom Hanks, because he really is as fun and as genuine as he comes across in his films and interviews.