Images Quotes

Different people get different things out of the images. It doesn't matter what it's about, all that matters is how it makes you feel.

You gotta understand, when moving images first started, people wanted sound, color, big screen and depth.

The images attempt to capture scientific thought. They represent the physical manifestation of the thought process. Everything in the laboratory is a product of a stream of conscious or unconscious thought.

Of course, it gave the studio an enormous power, because I don't know any other place who had that skill with images to communicate with. And the need of these kinds of images are even greater now than they ever were because we are losing our life symbols.

I think that every minority in the United States of America knows everything about the dominant culture. From the time you can think, you are bombarded with images from TV, film, magazines, newspapers.

It's incredible, but I think a lot of people it shot over their heads 'cause they're used to just getting images and messing around with them, and for us to do something quite so 'designed' was a bit of a shock.

Watching television in those days was not the same experience as it is today. After years of listening to radio, we found the black-and-white images mesmerizing.

Some people are really good at maneuvering their careers and images and I'm not one of those people.

I wanted to escape Small Town U.S.A. To dismiss the boundaries, to explore. My life experience came from watching movies, TV, and reading books and magazines. When your culture comes from watching TV everyday, you're bombarded with images of things that seem cool, places that seem interesting, people who have jobs and careers and opportunities.

When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence.

I know there are thousands of images of me.

Film provides an opportunity to marry the power of ideas with the power of images.

There are so many images pushed at women and so many ideas of what you're supposed to be. I think there's too much of this superwoman, this woman with a bottom like two billiard balls. There's no real celebration of just being a person.

I try to give the media as many confusing images as I can to retain my freedom. What's real is for my children and the people I live with.

And I also see how this body influences external images: it gives back movement to them.

The sizes and shapes of the panels have never been important to my stories. It has always been the words and images that drew me in, kind of like watching a movie.

My two great loves when I'm shooting are working with great actors and composing images.

Let's face it - think of Africa, and the first images that come to mind are of war, poverty, famine and flies. How many of us really know anything at all about the truly great ancient African civilizations, which in their day, were just as splendid and glorious as any on the face of the earth?

Some hypocrites and seeming mortified men, that held down their heads, were like the little images that they place in the very bowing of the vaults of churches, that look as if they held up the church, but are but puppets.

My painting is visible images which conceal nothing... they evoke mystery and indeed when one sees one of my pictures, one asks oneself this simple question 'What does that mean'? It does not mean anything, because mystery means nothing either, it is unknowable.

Others are keen to see if natives other than us live better than we do, without heat in pipes, ice in boxes, sunshine in bulbs, music on disks, or images gliding over a pale screen.

Both expectations and memories are more than mere images founded on previous experience.

Anticipation of movement, through muscular innervation and memory, by its retention of nerve impulse images, extend the present to the limit of a second or so.

In an age of synthetic images and synthetic emotions, the chances of an accidental encounter with reality are remote indeed.

Human beings are creators, flinging powerful images into the minds of their fellow men. And all of these images are built of tiny particles of thought.

I write scripts to serve as skeletons awaiting the flesh and sinew of images.

As with sound, images are subjective. You and I may not see the same color red as red, but we will probably agree that the image on the screen is a digital image or film image, based on contrast, bit depth, and refresh rate.

That is, we are bombarded by all kinds of images and influences and we have to fend some of them off if we're to take in any of them, or to carry through just our ordinary day's work, or really deepen whatever we have to do or say.

The essence of cinema is editing. It's the combination of what can be extraordinary images of people during emotional moments, or images in a general sense, put together in a kind of alchemy.

All you see on television are debased images.