Filmmaking Quotes

The big-budget blockbuster is becoming one of the most dependable forms of filmmaking.

For me, the filmmaking has to be about the dramaturgy.

Filmmaking is a chance to live many lifetimes.

The big studio era is from the coming of sound until 1950, until I came in... I came in at a crux in film, which was the end of the studio era and the rise of filmmaking.

The test audience holds a great deal of power in the process of filmmaking in the United States.

I've always wanted to introduce hip-hop filmmaking to film. There's hip-hop art, dance, music, but there really isn't hip-hop film. So I was trying to do that.

Part of filmmaking is always a guessing game, and part of it is always a game of trust.

However, that old mode of Polish filmmaking virtually disappeared.

If I can have the opportunity to go into an editing room, it's like the golden ticket for me. All I want is to learn about everything else in the filmmaking process. I just directed a music video which just came out and that'd sort of be the area of the field that I'm going to move into, I hope.

The difficulty with the present state of affairs is that there is no legislation on the sources of funding for the Polish film industry. There is no legislation concerning filmmaking. And, there is no legislation on television that would be beneficial to filmmaking.

John Hughes had such a huge impact on filmmaking.

It's very much like filmmaking always is-you're always asked to do something that you're not sure you know how to do. So you make an educated guess as to what you think will work and you hope between that and plan B, that you can end up with a product that's really good.

This was truly guerilla filmmaking. We shot out in the middle of nowhere in a place called Delta Flats, where basically every day was some new minor catastrophe.

It takes great skill to tell a compelling story in under 60 seconds. These five directors have mastered the format, using their talent, craft and imagination to provide us with some of the most innovative filmmaking out there today.

I feel 100% sure that I have the career that I have today because of independent filmmaking.

I don't have incredible knowledge about films or of filmmaking history; I'm not that kind of person.

I believe that filmmaking - as, probably, is everything - is a game you should play with all your cards, and all your dice, and whatever else you've got. So, each time I make a movie, I give it everything I have. I think everyone should, and I think everyone should do everything they do that way.

I think if you look at Sam Raimi and Jim Cameron, those guys know things about filmmaking that almost nobody knows anymore. They are students of film from when they handmade films themselves, you know cut films with their own hands and razor blades and tape.

I am co-writing a screenplay now and I'm working on the rights to another story I want to do. So I plan to produce and direct. So, for me, I don't really feel that I am vulnerable to that sad baggage that comes with the business of filmmaking.

That's easy to answer: I never had any special appetite for filmmaking, but you have to make a living and it is miraculous to earn a living working in film.

I'm not under too much of an illusion of how smart or un-smart I am because filmmaking ultimately is about teamwork.

Any filmmaking, any film is a collaborative process. There's always a lot of people working on things together.

To me the recognition of the audience is part of the filmmaking process. When you make a movie, it's for them.

I really took filmmaking very seriously... It was an honor and then a crutch also, because at a young age, I was like, I guess I'm a serious filmmaker. I never set out to be a serious filmmaker. I just set out to make movies.

'Rocket Science' is really where I fell in love with filmmaking, I think 'Camp' was incredible, but it was so bizarre, and I was trying to find my footing in this world where you don't have an audience for immediate validation.

It's only been a couple of times in my life that I've really locked horns with actors. It did not hurt the films, it just hurt the moment of the filmmaking.

I am much more involved in the filmmaking experience on Mag Seven. I'm much more involved in story elements, casting decisions, the writing of the show, the blocking of the scenes.

The most honest form of filmmaking is to make a film for yourself.

The idea of working with Steven Spielberg was very attractive. He's such a master. He knows the language of the camera and of filmmaking, which gives him a great freedom.

Filmmaking is such a collaborative medium.