Filmmaker Quotes

I am a filmmaker. That is all I've ever been. You know, Martin Scorsese makes films about the mob. And I make movies about food.

I really took filmmaking very seriously... It was an honor and then a crutch also, because at a young age, I was like, I guess I'm a serious filmmaker. I never set out to be a serious filmmaker. I just set out to make movies.

I live in New York City, the stories of my films take place in New York; I'm a New York filmmaker.

I'm a much better filmmaker than painter. But studying it did make me visually acute and taught me lessons like being economic: Say something once and you don't have to say it again.

Everybody's a filmmaker today.

On one hand, as a filmmaker, I don't want to make a movie with guns everywhere.

I mean if politics was my main motivation I would be doing politics. But I'm a filmmaker.

I'm a filmmaker, not a scientist.

Louis Malle was the best filmmaker I've ever worked with. He was such an artist. He was dealing with the theme of innocence and experience.

The thing is, I'm a very practical filmmaker.

In any art movement, the art has to move into a new phase - a filmmaker has a desire to make a film that is not like a previous film.

I decided to be a filmmaker when I was 12. I had utter clarity that this would be my life.

I'd made these experimental films but I thought the major chore of a filmmaker was to relate to actors.

Producing is so exciting because you can enable things to happen, whether it's like discovering a filmmaker who you're taking a chance on, protecting a battle and driving home at the end of the day just going, 'I'm so glad I stayed late at work and fought hard for that. Had my passion. Won that battle.'

'The Movie' is something that I made with some friends of mine in L.A. My friend, Luke Eberl, is the filmmaker. He shot this movie and asked a bunch of his friends to be involved with it. I just saw him the other day and there is no money to finish the film. But, you know, I literally have a cameo in it.

I'm actually part of a number of minorities. I grew up being a horribly awkward kid. A terrible student. And now I find myself as a filmmaker, and you feel kind of alone in the world because you're separate from everyone else.

I'm only a stupid filmmaker.

When you start out as a filmmaker, you do parodies, because you can't really compete on a studio level.

I don't really consider myself an American filmmaker like, say, Ron Howard might be considered an American filmmaker. If I'm doing something and it seems to me to be reminiscent of an Italian giallo, I'm gonna to do it like an Italian giallo.

I'd have been a filmmaker or a cartoonist or something else which extended from the visual arts into the making of narratives if I hadn't been able to shift into fiction.

An Oscar means a lot of things because it's like the ultimate award for a filmmaker so it feels great. But I think you have to consider awards with some distance and not get obsessed with it. When you're creating you shouldn't think about it.

With the Ford Foundation grant all of a sudden instead of being an artist that had made a couple of short films, I became a filmmaker who dabbled in the arts.

The terrorists who committed the 2003 Istanbul attacks were locals, that is, Turks. And when filmmaker Theo van Gogh was murdered in the Netherlands last year, the murderer and his supporters were also part of the Muslim community.

I like Spike Lee a lot. He's incredibly gifted and I don't think he gets the credit he deserves as a filmmaker.

Even from a really young age I was a huge movie buff - five, six, seven, eight. Just loved movies, but in a more in-depth way than most kids that loved movies at that time. I'd find a filmmaker or something and want to see all his movies.

I'm a filmmaker who decided to go to culinary school. All I picked up was the fact if I didn't understand what was going on with every single ingredient, I could be qualifying for, like, the lunch food job at my daughter's school.

I would certainly say that films like Time Code and the Loss of Sexual Innocence were far more rewarding to me in terms of being able to move forward as a filmmaker.

It's rare for the studios to find a filmmaker who wants to make a family film. To find someone that has an idea, embraces it, has kids and wants to make something exciting - well, they don't see that too often.

I couldn't sleep one night and I was sitting in my office and I realized that I was an independent filmmaker.

I feel like I'm a filmmaker; I don't feel I need to yell action and cut.