Film Quotes

I think there's a lot of elements that go into making a really awesome horror film and that's like putting together like a real good group of people that you love to watch them either live or die.

Film provides an opportunity to marry the power of ideas with the power of images.

Being a good television screenwriter requires an understanding of the way film accelerates the communication of words.

Well yes, my son was bar mitzvahed last April, after I made this film.

I would love to make some kind of film about the witches and the Inquisitions. That would be really fun because I don't think their stories have been told enough.

I don't think the subject of a documentary film should be producers on it.

There are certain filmmakers I'd like to work with that I don't think would take a risk with me, because I could be distracting in their film. It'll take a couple films to prove to them that it's worth the risk.

I made some truly awful movies. 'Stop! Or My Mom Will Shoot' was the worst. If you ever want someone to confess to murder just make him or her sit through that film. They will confess to anything after 15 minutes.

Any film I've made, I've only really begun to understand in the cutting room. That's when the story shows itself to you, like a wreck coming out of the sea.

Truffaut loved actresses, and he was very intense. All the actresses I knew wanted to do a film with him.

I think the job of movie reviewing can be really tough. If a film has layers that need to be thought about, it's easy to get missed the first time around.

I get mad when people call me an action movie star. Indiana Jones is an adventure film, a comic book, a fantasy.

Theater to me is acting but it's more real on film.

Summer blockbusters are very expensive to make. They have things that have to be expensive, such as 600 effects shots or CG characters that have to go a certain way, or a film design that is different but expensive.

My hope is that people will be repulsed by the character's complete lack of ethics and obsession with consumerism - that's what I was saying about the difference between the character's message and the film's message.

My next film is always shaped by the last one... by the things I feel I didn't get right, or the things I like and want to try to develop further, but it always comes out of the last picture.

I'm a New Wave baby, so I got very stimulated by foreign film.

Jake Green isn't just Jake Green. Jake represents all of us. The colour green is the central column of the spectrum and the name Jake has all sorts of numerical values. All things come back to him within the film's world of cons and games.

As a director you have to be careful you don't over-design the film. You have to be careful that the period aspect does not take over.

Ten years ago I was not heavily involved in the film world but on reflection it was a boom time with the mineral boom happening, so there was immense growth for industrial training films, documentaries to do with the mining, and the outback world.

My conception of it was that in a normal film you have a story with different movements that program, develop, go a little bit off the trunk, come back, and end.

Even on a $100 million film, people will complain that they haven't got enough money and enough time, so that's always going to be an element in filmmaking.

With Fever, the film was so made for the screen, and there's so much surround sound that was done for the film - enormous detail paid to that. I wasn't thinking video, because I didn't know how it was going to turn out.

I do believe that there are African Americans who have thick accents. My mom has a thick accent; my relatives have thick accents. But sometimes you have to adjust when you go into the world of film, TV, theatre, in order to make it accessible to people.

And the Institute sent me a little film footage of Kinsey himself preparing to do an interview for television to talk about his work, so that was quite valuable for me.

'Battle For The Planet Of The Apes', was just a film for kids and didn't have any deep meaning.

That was certainly true the first time, when I did Body Heat, the first movie that I directed. I was looking for a vessel to tell a certain kind of story, and I was a huge fan of Film Noir, and what I liked about it was that it was so extreme in style.

I started my own magazine with drawings, commentary, news, film reviews and drawings.

I have a film I want to direct. Gena Rowlands was going to do it with me a long time ago. It's about an older woman who's running a ranch in the west the old fashioned way.

I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content.