Film Quotes

Even The Impostors, as silly as it is, is a very intimate film, in a way.

Or certainly I would need time - which I would love to have but there almost never is on a film - to just spend a week with a roomful of guys laying down these patterns.

I was asked to go to Cannes to present Amores Perros. And little did I know that this film would be huge. I saw it for the first time in Cannes, and it was the first time I'd seen myself on such a big screen. And it had a huge impact on me - it was the strangest feeling.

It took me years to live down Dracula and convince the film producers that I would play almost any other type of role.

I was truly ignorant about art before the film.

Nooooooo... favorite film, that's like asking if you have a favorite kid!

You know, with the film industry crews, there's an odd mix between a very technical and a very artistic approach to the work, and sometimes as a woman you have to be a little bit careful about how things come out because people don't really want to listen if it's in a certain emotional tone or too strong.

On my fifth film, it was then that I stopped dancing.

Film is a very, very powerful medium. It can either confirm the idea that things are wonderful the way they are, or it can reinforce the conception that things can be changed.

You make a film and you don't know who it's going to appeal to.

The informing idea of what you want to say and do, that's what will take you from film school to professional - the idea. That's what is original to you.

Ultimately, I'd love to be able to work in film.

But I feel that I have a responsibility to help the film and I have relations with the studio and with those who put up the money so that I can tell a story that I believe in.

Originally a record producer more or less hired a bunch of professionals to participate in a recording session, the performers and the technicians, and a music director was put in charge. That directly related to a film producer's job.

I like the days when all the filmmakers had was a film roll, a camera and a gangster. The Mack Sennett comedies were all like that. They'd create little teams to go out and shoot films.

My first film goes into production in October. It's called White Boy Shuffle and it's based on a novel about a young black kid and it's sort of reminiscent of Catcher in the Rye.

I never studied anything about film technique in school. Eventually, I realized that cinema and theater are not so different: from the gut to the heart to the head of a character is the same journey for both.

It's never a script that makes me decide to accept a film or not.

All film directors, even the ones using 3-D today, want you to look at what they chose.

With the film around for 25 years and the show being around even longer - still running and continuing to fill house all around the word - it's really an exciting and wonderful thing to be part of that.

The great thing about film is you start and finish. It's a journey that lasts so long, TV lasts a long time.

Film is a lark to me - thank God I don't have to make a living from it.

A lot of young filmmakers bring their movies to my dad because he always gives lots of good editing ideas and notes. He'd be a good film professor.

I never thought of becoming a director. When I was twelve, the passage from silent film to the talkies had an impact on me - I still watch silent films.

When I finish a film, I put it away and I never look at it again.

As a matter of principle, I always come to a film like a blank slate, I don't learn my lines in advance. With this approach, I feel clean.

Everytime I get offered theatre I get offered a film role too.

Stage is the most exciting. Film is lovely, because it's like a family.

I knew Secrets and Lies was a great film, but I didn't expect it to get the attention it did because none of his other films had and I thought they were just as good.

Now I'm doing a film festival for kids and writing a script about a kidnapped journalist in Afghanistan.