Film Quotes

And I would never accept a film because of the money. I have enough money.

The thing that helped me get into the film business was that I went to school in Athens, Georgia and managed to get on, um, working on music videos for a band called R.E.M. and that kind of opened up a lot of doors for me.

I don't prefer much of film over stage. The only thing I prefer is the paycheck.

I love grabbing my wife and going to a distant location to film.

With In the Company of Men, the misogynist label stuck early and firmly. In the end, it probably did hurt the film a bit, because getting women into the theaters was difficult.

I got five kids, and my oldest is a documentary film maker and camera man, and still photographer.

This particular film highlights Ben and Owen's strengths which is that they are great comedic actors with tremendous chemistry and they do a really good job.

I hope we're all kind of influencing each other now to keep the quality up on those things. They seem to be getting better and better and better as there's not only sort of a film geek audience, there's also a general interest in the overall film consuming population.

I guess I'm growing up in the film world.

Any film that supports the idea that things can be changed is a great film in my eyes.

I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.

You learn real early to make a film and then duck, and basically that's how I go about it.

Britain is producing some of the worst films in the world. Our film industry is desperate to be part of America, and we just churn out flaccid imitations of bad films over there.

When I attack a role, be it TV, film or stage, the first thing I say is, I don't want to know anything. If it's good I don't want to hear it; if it's bad I don't want to hear it. The only thing either thing can do is distract me. I like to stay focused.

When you come to do the film, it is not the time to wonder why you do it. It's just how to do it.

Any film I do is not going to change the way black women have been portrayed, or black people have been portrayed, in cinema since the days of D.W. Griffith.

All I wanted with that film was to represent the possibility that there might be normal people who are Muslim or Arab with the same fears, responsibilities, hopes.

I was just a cheap little starlet hardly acting at all in a very mediocre film.

There are a lot of movies I'd like to throw away. That's not to say that I went in with that attitude. Any film I ever started, I went in with all the hope and best intentions in the world, but some films just don't work.

You see, I have many friends in the Hindi film industry.

Any time you talk about the look of the film, it's not just the director and the director of photography. You have to include the costume designer and the production designer.

As a runner on a film, you are the lowest of the low, and yet you have incredible access to everyone. I can totally imagine that for actors in the middle of a Hollywood bubble, all they really want is a sense of normality, and that gopher can be a tap for that.

I hate the analyzing thing. People say, 'Why do you think your character did that? I don't know. I'm not an analyst, and they're not in psychotherapy. Unless it's a film where they're in therapy.

In the beginning, it wasn't even a question of deciding I'm going to do independent film and not commercial films - I wasn't being offered any commercial films, and there wasn't an independent scene.

Being an indie queen, people think I have all these choices. Like I've just been sitting around waiting for the best indie film that I deem acceptable.

Now both my films have been number one at the Australian box office and it took about two years just to get the finance for this film, so if it's hard for me then God help everyone else.

Mystery Men you can take grandma, you can take everyone to see this film.

I realized I probably wouldn't make another film that cuts through commercial and creative things like 'Godfather' or 'Apocalypse.'

When you make a film you usually make a film about an idea.

I had come to the point when I realized it was unlikely that my film career was going to move beyond a certain level of role. And I was - because I had graphic instances of it - handicapped by the success of Star Trek. A director would say, 'I don't want Jean-Luc Picard in my movie' - and this was compounded by X-Men as well.