Emotional Quotes

The computer can't tell you the emotional story. It can give you the exact mathematical design, but what's missing is the eyebrows.

When I heard Aretha, I could feel her emotional delivery so clearly. It came from down deep within. That's what I wanted to do.

I like the storytelling and reading the letters, the long-distance dedications. Anytime in radio that you can reach somebody on an emotional level, you're really connecting.

My hope was that organizations would start including this range of skills in their training programs - in other words, offer an adult education in social and emotional intelligence.

U2 is an original species... there are colours and feelings and emotional terrain that we occupy that is ours and ours alone.

The underlying message of the Lancet article is that if you want to understand aggressive behaviour in children, look to the social and emotional environment in which they are growing up, and the values they bring to the viewing experience.

At the end of the day, sleep is a barometer of your emotional health. And so if you're not in the right place where you need to be, then you're going to have voices keeping you up at night because you have to work through those issues.

Children have very sharp powers of observation - probably sharper than adults - yet at the same time their emotional reactions are murky and much more primitive.

As an emotional eater, I eat to soothe.

Religious faith depends on a host of social, psychological and emotional factors that have little or nothing to do with probabilities, evidence and logic.

I don't react to a tragic happening any more. I took so many bad things as a kid and some people think I don't care about anything. It's just too hard for me to get emotional. I can't cry no more.

Color is a very critical thing. I've found that architects don't like colors. Engineers too. And so somebody has to stand in. Because this is the finish of it. It is the emotional part of a structure. I had great satisfaction in doing that.

There are things that directors know about me that people shouldn't know. But everyone's really different. I've worked with women who I've never wanted to tell anything about myself to, and I've worked with guys who have been pouring wells of emotion. So emotional availability is not a gender-specific thing.

If I feel any sort of emotional upheaval, I go for a jog and I feel better.

I don't really like being emotional. Public displays of emotion, I don't really do that sort of stuff. I don't know why. I would like to be the type that doesn't worry about that.

I am a very sensitive person, very impulsive and emotional.

Well, softness and femininity like yours people don't expect of me; so when they find me emotional and capable of real vulnerability, they're surprised.

If it's a very emotional scene, you're kind of relieved when you've done it, kind of spent. And there are times when you can be rattled, certain characters if they're hyper, that can carry over, the residue of that. But I try to leave it on the set.

What I've tried to do in my stage magic is to take a trick and give it an emotional hook.

Beneath words and logic are emotional connections that largely direct how we use our words and logic.

It is acceptable to bring someone to tears if it explains to them in an emotional way why a product, a service, or a candidate is the right person, is the right thing to do.

Acting is the most personal of our crafts. The make-up of a human being - his physical, mental and emotional habits - influence his acting to a much greater extent than commonly recognized.

I want to write poems which are very emotional, but I would have some hesitation in saying I want to write poems which are sentimental.

People think that the arts are optional and they aren't. They teach a level of emotional depth that's equally important to mathematic skill. You can replace some math skills with a calculator if you know how to operate the thing, but there's no calculator for human interaction.

As I told you, from the time I was fifteen, I thought the theater was too much involved with actors trying to make the audience love them, being over emotional.

It's a treat to portray a complex character. Besides... where else could I find a job where emotional outbursts and odd exclamations like 'Egad!', 'Narf!', 'Poit!', 'Splonk!' and 'Zort!' are allowed?

We must become acquainted with our emotional household: we must see our feelings as they actually are, not as we assume they are. This breaks their hypnotic and damaging hold on us.

You feel the Olympics and you get chills and nervous and a little scared. You go through the emotional roller coaster at what it's like to compete at the Olympic level and you let that run through your whole body.

I like to play different ranges. When you get really deeply involved in the emotional parts, I enjoy that just as much as the fun and laughter.

Even when you're producing difficult material and you get emotional, after it you feel good; you feel like you've done a good job, or had an emotional release. I've always enjoyed that, but you go home and think, that was a good day's work, and you move on.