Drum Quotes

Alber Elbaz is just a genius. He'll be in a dinner jacket and he doesn't care what time of day it is: I love that about him. He just marches to the beat of his own drum.

Playing well with others is important - not being too flashy, just keeping good time and of course coming up with cool beats. A good snare drum, kick drum, high hat. Just getting good at the hand feet coordination.

If you want to build a ship, don't drum up people to collect wood and don't assign them tasks and work, but rather teach them to long for the endless immensity of the sea.

Anytime I switch to another instrument, I immediately turn it into another kind of drum so that I can understand it better.

I've been playing with Blackwell over 20 years. We used to play when I first went to Los Angeles. Blackwell plays the drums as if he's playing a wind instrument. Actually, he sounds more like a talking drum.

I'm super serious about that stuff. I mean, it's rare that I sit down at a drum set when I'm not touring, because we tour so much.

Even on the drum level, it's all about stating your theme, going back to certain things that need to be emphasized, not doing fills for the sake of doing fills.

Just because you can leap off a drum kit doing a scissors kick while hitting a chord, people expect you to be an extrovert socially. But I'm not always comfortable with the idea of small talk at a party.

You know the drum was the first instrument besides the human voice.

I love the way Pharell is laying down great drum tracks. He is a great drummer.

Then I tried out for the Fontana High School drum line, in Riverside, and I did really well. I got second chair, and played snare in that drum line for three years.

Sometimes I hear a drum groove in my head and I rush down to my studio.

Once at the White House I was asked to conduct the Drum and Bugle Corp. The man just handed me the baton and I finished the song. It was great. I got to keep the baton.

I remember in the early days when we played six nights a week for a month and I was doing my long drum solo every night. My hands were covered in blisters.

In the morning on Sunday, a drum is sounded at about 8 o'clock.

I learned how to play the drums. When we were in pre-production, when we were still in LA, I had a couple of drum lessons and then some in Toronto. I got the one beat down and that was it.

This was totally influenced by me and the direction that I am writing about and the stuff that I am writing about. There is just no way that you can be as intense as what I have been through in my life over a drum beat machine, sample, or loop; it's just not going to happen.

I don't like drum solos, to be honest with you, but if anybody ever told me he didn't like Buddy Rich I'd right away say go and see him, at least the once.

It's the things that you notice when you're not actually with your instrument that, in fact, become so interesting, and that you - you want to explore, through this tiny tiny surface of a drum.

Nowadays I get complaints about long drum solos, but in those days they wanted me to keep on going so they could go over to the bar and have a drink.

I think at one time every drummer wanted to play like Krupa or wanted to win a Gene Krupa drum contest. This is the big inspiration for drummers and naturally it has to be the same way for me.

For live you need a microphone for the snare and the high hat, the kick drum, a nice stereo overhead and one for the toms - you can get away with using four mikes.

I'm not going to do the Ben Harper house record or the Ben Harper drum 'n' bass record.

If you've got a problem, take it out on a drum.

My son's taking drum lessons, and my daughter's taking piano lessons. One day they're going to start a band.

Come to think of it, the way I play is like a drum machine- very mechanical.

Somebody gave me this drum machine and somebody else asked me to program something for a project. I really liked programming and I was really interested in using the drum machine.

People say I play real loud. I don't, actually. I'm recorded loud and a lot of that is because we have good engineers. Mick knows what a good drum sound is as well, so that's part of the illusion really. I can't play loud.

Part of Steve's job was to drum into us how important what we were doing actually would be to the world.

In all the music that deals with experimental repetition, drum and bass, dub, various kinds of house music, there's always been a quality of atmosphere and ambience.