Drew Quotes

I met Drew Barrymore in New York and she said she liked the band. That was really cool. I grew up on her.

That's what drew me to rock music in the first place - that sense of remaking the world on your own terms.

I was kind of a volatile personality, very intense. Because of that, I drew some criticism and people would say things about me, and my parents had tried to defend me. I would just tell them don't worry about it. Our day will come.

Going back to Georgiana Drew and John Drew, and my great-grandfather Maurice Barrymore, and it was such a sort of circus of odd, interesting people that loved acting.

The first two Prime Ministers whom I served, Ted Heath and Margaret Thatcher drew strikingly different lessons from the Second World War.

Time, which runs through the world like an endless tinsel thread, seemed to pass through the centre of this room and through the centre of these people and suddenly to pause and petrify, stiff, still and glittering... and the objects in the room drew a little closer together.

I wasn't able to make the full commitment until I met 'Celebrity Rehab's' Dr. Drew.

I have a loyalty that runs in my bloodstream, when I lock into someone or something, you can't get me away from it because I commit that thoroughly. That's in friendship, that's a deal, that's a commitment. Don't give me paper - I can get the same lawyer who drew it up to break it. But if you shake my hand, that's for life.

It was my proudest moment as a manager when England drew 0-0 with Italy in Rome to qualify for the World Cup finals. Fifteen years later, the stakes are equally high for both countries as they go head-to-head for a semi-final place at the European Championship.

No author ever drew a character consistent to human nature, but he was forced to ascribe to it many inconsistencies.

There was an opening in the ER program at King Drew, so I spent the next month there, fascinated with the range of pathology that I observed, the diversity of skill that the ER physicians had to acquire, the variety of cases, and the ability to interact closely with people.

I think it's just important to not judge people based on their physicality because it's really about personality and people's hearts and souls. That's what drew me to Audrey Hepburn who is kind of like my icon.

I've always been interested in the camera and the effects of it - that's what drew me to film in the first place.

The sizes and shapes of the panels have never been important to my stories. It has always been the words and images that drew me in, kind of like watching a movie.

We all drew on the comfort which is given out by the major works of Mozart, which is as real and material as the warmth given up by a glass of brandy.

And when I was born, I drew in the common air, and fell upon the earth, which is of like nature; and the first voice which I uttered was crying, as all others do.

When I first drew him I had eyes in there and it didn't look right.

I've been very successful doing voices in movies. I did Olive, the Other Reindeer, with Drew Barrymore, and I did Cats and Dogs. My children came to some of the sessions.

I drew the last image ever of Opus at midnight while Puccini was playing and I got rather stupid. Thirty years. A bit like saying goodbye to a child - which is ironic because I was never, never sentimental about him as many of his fans were.

While I drew, and wept along with the terrified children I was drawing, I really felt the burden I am bearing. I felt that I have no right to withdraw from the responsibility of being an advocate.

The eldest and biggest of the litter was a dog cub, and when he drew his first breath he was less than five inches long from his nose to where his tail joined his back-bone.

I remember when I was in school, they would ask, 'What are you going to be when you grow up?' and then you'd have to draw a picture of it. I drew a picture of myself as a bride.

In the Emperor's New Clothes, they got a different celebrity to do each voice. They drew up a picture of each character and then each actor wrote their own part.

When I came to New York and I opened the window of the thirty-fifth-floor apartment, there's light pollution and fog, and I couldn't see my star. So I drew it on my wrist with a pen, but it kept washing away. Then I went to a tattoo parlor on Second Avenue and had it done.

Paris Hilton and Kim Kardashian would have left little more than lipstick stains in their passing had it not been for the sex videos that lofted them into reality-TV notoriety. Once notoriety has warmed into familiarity, celebrity itself becomes one big 'Brady Bunch' reunion, or a therapy session with Dr. Drew.

At Leeds the idea of an international labour organization appeared in a trade-union text which also drew attention to the danger to the working classes inherent in the existence of international capitalist competition.

The Republicans in the House and Senate took the district that I firmly represent, 22 in south Florida, from a D plus one to a D plus five almost a D plus six district, which means you are given a five to six percent registration advantage to Democrats. They drew in more Democrats into the district I represent.

The beginning of Book Three is the last one that I drew, where V's conducting the 1812 overture.

A few years ago, kids from poor areas in France were asked to draw items of food. For a chicken, they drew a drumstick. For a fish, they drew a fish stick. Those are extremes, but there is a lot that needs to be done to help children discover good food.

Nancy Drew was always changing her outfits. I despised girls' clothing, I couldn't wait to get home from school and get out of it. The last thing I wanted to read was minute descriptions of Nancy's frocks.